Page 25 - APH Sep 2020 Mono Award
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                MAJOR SPONSOR
SUPPORTING SPONSORS
                                       B&W TIPS FROM THE JUDGES
 Jackie Ranken
If you are making a photograph of an often photographed subject, look for a unique point of view
or make sure your technique is perfectly matched to the subject matter within the frame. In the case of monochrome images, the subject should look great without colour. The tonal range should suit the subject whether it be high key or low key. Keep your whites white and your blacks black.
To my mind, too much grey is not making a statement.
Anthony McKee
Black and white is still the best training ground for anyone wanting to become a better photographer, and the reason why is simple: it teaches you to work within the core elements of good image making, namely good design, lighting and emotion. Colour is merely a distraction.
        15 WAYNE RILEY
16 JONO ALLEN
20 MARK ZAGLAS
24 DANIEL PURVIS
| 41 | SEPTEMBER 2020 | AUSTRALIANPHOTOGRAPHY.COM
    19 PHILIPP DU CROS
      22 DANI WATSON
25 THOMAS CHAU


















































































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