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dian Academy of Arts; Governor General’s Award: Visual and Media Arts;
Prize: Paul-Émile-Borduras, Government of Quebec.
Dail Behennah (United Kingdom) 94, 100-101
Selected collections: Bankfield Museum, Halifax, UK; Birmingham Muse-
um and Art Gallery, UK; Castle Museum, Norwich, UK; Contemporary Arts
Society, London, UK; Crafts Council Collection, London, UK; Doncaster Mu-
seum and Art Gallery, South Yorkshire, UK; Fitzwilliam Museum, Cambridge,
UK; Crafts Council, London, UK; Ken Stradling Collection, Bristol, UK; Mu-
seum of Arts and Design, New York, New York; New Ruskin Gallery, Shef-
field, UK; Plymouth City Museum and Art Gallery, UK; Prior’s Court School,
Oxfordshire, UK; Racine Art Museum, Wisconsin; Shipley Art
Gallery, Gateshead, UK; Somerset County Museums, UK; Väs-
tra Götalandsregionen, NÄL Hospital in Trollhättan, Sweden;
Walker Art Gallery, Liverpool, UK; Worcester Museum and Art
Gallery, UK; Taunton and Somerset Hospital, UK.
Nancy Moore Bess (United States) 86-90
Selected collections: Museum of Arts and Design, New
York, New York; Arkansas Museum of Fine Arts, Little Rock;
Charles A. Wustum Museum of Fine Arts, Racine, Wiscon-
sin; Erie Art Museum, Pennsylvania; LongHouse Reserve, East
Hampton, New York. Exhibition venues: Hunterdon Art
Museum, Clinton, New Jersey; Barbican Centre, London, UK;
Meguro Art Museum, Tokyo, Japan; Szombathely Art Mu-
seum, Hungary; University of Hawaii Art Gallery, Honolulu;
Arizona State University Art Museum, Tempe; Long Beach
Museum of Art, California; Contemporary Jewish Museum,
San Francisco, California; National Crafts Council of Ireland,
Kilkenny; Craft & Folk Art Museum, Los Angeles, California.
Author: Bamboo in Japan (Kodansha 2001).
Marian Bijlenga (The Netherlands) 80, 82-83
Selected collections: Stedelijk Museum, Amsterdam and
Schiedam, the Netherlands; Museum of Arts and Design, New
York, New York; Her Royal Highness Princess Beatrix, the Neth-
erlands; Dutch Costume Museum, the Hague; Central Museum,
Utrecht, the Netherlands; Craft Museum of Finland, Jyvaskyla;
Musée des Beaux-Arts et de la Dentelle, Calais, France; Dutch
Textile Museum, Tilburg, the Netherlands; CODA Museum, Ap-
peldoorn, the Netherlands; LongHouse Reserve, East Hampton,
New York; Honolulu Museum of Art, Hawaii. Recipient: Grand
Prix: Božena Augustínová, Textile Art of Today, Danubiana Mu-
seum; Participant: European Prize for Applied Arts; Excellence
Prize: 6th International Textile Competition, Kyoto, Japan; Bien-
nial Prize: 2nd International Tapestry Art Biennial, Beijing, China.
Linda Bills (United States) 11-12
Selected collections: Delaware Art Museum, Smithsonian
American Art Museum, Washington, DC; Racine Art Museum, Wisconsin;
and Museum of Art and Design, New York, New York; University of Michi-
gan Museum of Art, Ann Arbor. Exhibition venues: Erie Museum, Penn-
sylvania; Baltimore Art Museum, Maryland; Fuller Craft Museum, Brockton,
Massachusetts. Recipient: Resident Artist for the Post-Baccalaureate Fine
Art Program at Maryland Institute College of Art. Artist Grant: Maryland
State Arts Council; Fellowships: National Endowment for the Arts.
Birgit Birkkjær (Denmark) 8, 71-72, 150
Selected collections: Danish Art Foundation Copenhagen; Ellen and Knud
Dalhoff Larsens Foundation, Frederiksberg, Denmark; County and Munici-
pality of Aarhus, Denmark; Museum of Art and Design, Copenhagen, Den-
mark. Exhibition venues: Round Tower, Copenhagen, Denmark; São
Paulo, Brazil; Kong Museum, Denmark; National Art Gallery, Stock-
holm, Sweden; Aarhus Art Building, Denmark; Museum of Applied
Arts, Copenhagen, Denmark; Museum of Decorative Art, Copenha-
gen, Denmark; City Hall, Hohen Neuendorf, Germany; Szombathely,
Hungary; Herning Museum, Denmark; North Dakota Museum of Art,
Grand Forks; Nagoya, Japan, (In Our Hands); New Bedford Museum
of Art, Massachusetts; Craft Office, Bonn, Germany; Wayne Art Cen-
ter, Pennsylvania; Edsel & Eleanor Ford House, Grosse Pointe Shores,
Michigan; Morris Museum, Morristown, New Jersey.
Birgit Birkkjær
102bb Woven Art Basket Strings, detail, p. 71
Sara Brennan (United Kingdom) 5-6, 42
Selected collections and exhibition venues: Central Museum of
Textiles, Łódź, Poland (10th International Triennial of Tapestry); The
Barbican Centre, London, England (Woven Image: Contemporary
British Tapestry; traveling); Aberdeen City Art Gallery and Museum,
Scotland (permanent collection); Crafts Council, London, UK; Scottish
Gallery, Edinburgh and Ruthin Crafts Centre, Wales (Interface: Con-
temporary Textiles); Nordjyllands Kunstmuseum, Aalborg, Denmark;
Deutsches Textilmuseum, Krefeld, Germany (European Tapestry Forum:
Artapestry 2005, traveling); Edinburgh College of Art, Scotland, UK;
Sotheby’s, London, UK; Contemporary Applied Arts, London, England
(Darkness into the Light, traveling); New Jersey Center for the Visual


















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