Page 162 - Transformations: dialogues in art and material

seum, Tempe; Houston Museum of Contemporary Craft, Texas; Museum of
Craft and Folk Art, San Francisco, California; Morris Museum, Morristown,
New Jersey; Centro de Arte Complutense, Madrid, Spain. Author: Basketry:
Projects from Baskets to Grass Slippers (Kodansha 1986).
Kay Sekimachi (United States) 58-59
Selected collections: Metropolitan Museum of Art, New York, New York;
Musée Des Arts Décoratifs, Paris, France; National Museum of Modern Art,
Kyoto, Japan; National Museum of Scotland, Edinburgh, UK; Museum of
Fine Arts, Boston, Massachusetts; Mint Museum of Craft + Design, Charlotte,
North Carolina; Mingei International Museum of Folk Art, San Diego, Califor-
162
Carol Shaw-Sutton
10css Sea of the Mother, detail, p. 47
nia; LongHouse Reserve, East Hampton, New York; Contemporary Museum
of Art, Honolulu, Hawaii; Arkansas Museum of Fine Arts, Little Rock; Muse-
um of Arts and Design, New York, New York; Erie Art Museum, Pennsylvania;
Minneapolis Institute of Art, Minnesota; Oakland Museum, California; Renwick
Gallery, Smithsonian American Art Museum, Washington, DC; Racine Art Mu-
seum, Wisconsin; Toledo Museum of Art, Ohio; Detroit Art Institute, Michigan;
de Young Fine Arts Museum, San Francisco, California; Museum of Fine Arts,
Houston, Texas. Recipient: Fellow: Museum of Arts and Design; Master of the
Medium, James Renwick Alliance for Craft. Featured: Craft in America, PBS.
Naoko Serino (Japan) 130, 149, 159
Selected collections: The Warehouse MKE, Milwaukee, Wisconsin; Fine
Art Program and Collection at Montefiore Medicine, New York, New York.
Exhibition venues: Museum Rijswijk, the Netherlands; Kajima Ki Building,
Tokyo, Japan; Church of San Francesco, Como, Italy; Musée des Beaux Arts,
Tournai, Belgium; Gwangju Art Museum, Korea; Tsinghua University, Beijing,
China; Arizona State University Art Museum, Tempe; Fukuoka Asian Art Mu-
seum, Japan; Urasoe Art Museum, Okinawa, Japan; St. Amandsberg Chapel,
Ghent, Belgium; Borås Textile Museum, Sweden; Centro Cultural Hispano Ja-
ponés, Salamanca, Spain; Sculpture Center, Cleveland, Ohio; Slovak Union of
Visual Arts, Bratislava, Slovakia; Japan Society Gallery, New York, New York;
Design Museum, Helsinki, Finland; Wayne Art Center, Pennsylvania; Edsel &
Eleanor Ford House, Grosse Pointe Shores, Michigan; Morris Museum, Mor-
ristown, New Jersey; Gjethuset Museum, Frederiksværk, Den-
mark; Museum of Craft and Folk Art, San Francisco, Califor-
nia; Centro de Arte Complutense, Madrid, Spain. Recipient:
First Prize: Collection Arte&Arte; Silver Award: 10th Kajima
Sculpture Competition; Honorable Mention: Women in Textile
Art Biennial; Excellence Award: In Our Hands, Nagoya, Japan.
Sylvia Seventy (United States) 137
Selected collections: Museum of Arts and Design, New York,
New York; Erie Art Museum, Pennsylvania; Renwick Gallery,
Smithsonian American Art Museum, Washington, DC; Racine
Art Museum, Wisconsin; Oakland Museum, California; Arkan-
sas Museum of Fine Arts, Little Rock; Redding Art Museum,
California; Arrowmont School of Arts and Crafts, Gatlinburg,
Tennessee; Champion International Paper, Stamford, Califor-
nia; Union Oil, Geothermal Division, Santa Rosa, California.
Carol Shaw-Sutton (United States) 5-6, 45, 47
Selected collections: Oakland Museum of Art, California;
de Young Fine Arts Museum, San Francisco, California; Ar-
rowmont School of Arts & Crafts, Gatlinsburg, Tennessee;
Parsons School of Design, New York, New York; Charles A.
Wustum Museum of Fine Arts, Racine, Wisconsin; Mint Mu-
seum of Craft + Design, Charlotte, North Carolina; Long-
House Reserve, East Hampton, New York; Greenville County
Museum of Art, South Carolina; Center for Tapestry, Ancient
and Modern, Lausanne, Switzerland; Marietta College, Ohio.
Exhibition venues: Museum de Beaux Arts. Lausanne,
Switzerland; Textile Museum, Tilburg, the Netherlands; John
Michael Kohler Museum, Sheboygan, Wisconsin; Stanford
University Museum of Art. Palo Alto, California; Museum of
Contemporary Craft, New York, New York; Museum of Art,
Kyoto, Japan; Loveland Museum of Art, Colorado; Conseil
des Arts du Quebec, Canada. Recipient: Fellow: American
Craft Council; Grant: US-France, La Napoule Foundation,
Nice, France; Fellowships: National Endowment for the Arts,
Washington, DC; Fellowship: US-Japan; Fine Art Award: In-
ternational Textile Organization Biennial, Kyoto, Japan.
Hiroyuki Shindo (Japan) 102, 108
Selected collections: St. Louis Art Museum, Missouri; Cleveland Museum
of Art, Ohio; Museum of Arts and Design, New York, New York; Museo de
Arte Carrillo Gil, Mexico City, Mexico; North Dakota Museum, Grand Forks;
Stedelijk Museum, Amsterdam, the Netherlands; de Young Fine Arts Muse-
um, San Francisco, California; LongHouse Reserve, East Hampton, New York;
Seiryu-kai Collection, Kyoto, Japan; Brighton Museum, UK; Whitworth Gal-
lery, Manchester, UK; Canadian Museum of Civilization, Gatineau, Canada;
Rotterdam Museum, the Netherlands; Israel Museum, Jerusalem; MKE Ware-
house, Milwaukee, Wisconsin. Exhibition venues: Museum of Modern Art,
New York, New York; Art Institute of Chicago, Illinois; Museum of Textiles, To-