Page 80 - WTP Vol. V #5
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had to go into the basement of the funeral home; it was carpeted and painted, but it was still a flight down from the ground floor. Then Julia and I had to give all the statistical information to the young woman at the Cremation Society desk.
weeks, something she would have liked.
She was pleasant and businesslike, and when we finished with the forms, she said, “You may see your mother now. She looks pretty good. But we had to clean her up a bit because there was a lot of blood, and some scratches on her face.”
When we get home, Julia takes a long bath. She fills the tub with Epsom salts and pins up her hair. She props her head on one of those inflat- able plastic pillows that are supposed to look like a scallop shell. From several rooms away, I hear her crying. I ask her if she’s okay and she apolo- gizes for crying so much. I take her a mug of herb tea, and leave her alone. Actually I’d love to be alone myself right now, in the bath and crying. Instead, I check my email on Julia’s old computer but there’s nothing there for me, nothing from anyone. Especially, there’s nothing from Mike. He’s silent from his end in LA. If I could talk to him now, what would I say? Please make me feel better sounds so pointless, as if he could do any- thing anyway.
My heart started pounding. Her body looked so small, lying on a gurney, covered to the chin by a burgundy blanket. She looked okay, but not really asleep. I kept telling myself, this wasn’t really her.
Julia started crying that time. “It isn’t really her,” I whispered. “It’s just her body, Julia.” I didn’t want to touch the skin; I didn’t want to feel it cold and stiff; she’d been gone for hours. I touched her hair. It was soft and so white and thick. I wanted to go back into the Cremation Society woman’s office
We have the memorial service for Mommy on a sunny day in February. Julia’s boys are dressed up in these suits she’s bought at the Goodwill store; they look so grown up. Alex plays the violin, he’s chosen the Chorus from Judas Maccabeus, in his Suzuki book. I play “All Blues” on the piano, with the music teacher from Julia’s school on trum- pet. Julia reads a poem, all I can remember of it now is the refrain, “I had a mother who read to me.” Then Mommy’s old protégée Sis gets up and tells some funny stories not even Julia and I had ever heard about Mommy at work. Afterwards a blur of our friends from high school, the few who stayed in Baltimore, come over and kiss us, and there are a lot of teachers from Julia’s school, and some old neighbors, and Mommy’s handsome young lawyer Al, who’s been married three times. “I just loved your mother,” he says. He’s got dark brown hair and blue eyes and doesn’t look old enough to have been married so many times. Julia has her arm around my waist and is being very sweet. There are flowers from my friend Joyce who lives in Washington state, and two of our old teachers, nuns, from high school are there, wear- ing civvies as Dad called them, regular middle- aged-lady outfits with printed flowers, sensible shoes.
to borrow a pair of scissors, to take a lock of hair. “Goodbye, Mom,” I said almost in a whisper, and Julia and I held each other for a few minutes. I looked down the long narrow low ceilinged room at coffins, propped open, revealing lush satin lin- ings. I am glad Mommy is going to burn up in a burst of flame, I thought. This is the way she had always planned for it to end.
On the way back to Julia’s house we stop at a Dunkin Donuts for coffee; we drink it in the car as she drives the beltway home. We don’t have any music, and we don’t say very much. Maybe we talk about how much it will cost. Maybe we talk about how long I will stay before I fly home. We speak about how glad we are there isn’t go- ing to be a funeral, a Mass or anything. Mom’s wanderings through various denominations has made it clear what she didn’t want; she didn’t want the Funeral Package. Not a Mass. Prob- ably nothing Protestant either. We aren’t in California so we can’t do a New Age thing. We will have to work something out over the next
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