Page 36 - Vol. VI #8

naoMi scHLinke
27
“Rooted in in in the practices of lyrical abstraction I I paint in in in loosely knit series bound by shared instructions and concepts Ink with its unparalleled fluidity staining intensity and transparency has become an an an an essen- tial feature of of of my practice The transpar- ency of of of of the the ink allows much of of of of the the history of of of execution to to be readily visible As a a a a a a result layers switch back and forth in in in time creating several possible readings Simple motifs and events transform throughout repeated layers becoming a a a a a a a a a part of of later forms The absence of of of sizing allows one
one
to to paint on on on one
one
side of of of the the the the paper to to the the the the benefit of of the the the the other viable imagery may appear on both sides ”