Page 63 - The Woven Tale Press Vol. IV #1
P. 63

Dana Filibert transports us into
a world of playful mischief,
where memories of childhood innocence fuse with references to human biology and the man- ufactured consumer object. Semblances of familiar objects are altered by bold, glistening finishes and corporeal forms that play with our sense of reality.
Filibert ‘s work responds to a society in which the manufactured persists to become more deeply in- tegrated in daily life; where individuals identify with consumer objects as part of their persona. Her work resides in a space where boundaries blur, and the artificially generated becomes identity.
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