Page 9 - WHAT | Paul and Émile

The company
CHRISTOPHER OSTROM (Scenic, Lighting, and Projection Designer) Credits include productions for Odyssey Opera, Opera San Jose, Tulsa Opera, Arizona Opera, Chautauqua Opera, Mobile Opera, Hawaii Opera Theater, Asolo Rep, Kentucky Opera, Opera Boston, Syracuse Opera, New England Conservatory, Academy of Vocal Arts, Adam Theater, Wonderbound Contemporary Ballet, Opera Providence, Boston Conservatory, Academy of Vocal Arts, The Toronto Symphony, Macau International Music Festival, Curtis Institute of Music, Boston Early Music Festival, New Repertory
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Brandeis University, and Bard College. Christopher has served as Producing Artistic Director at Wellfleet Harbor Actors Theater since 2017, and has designed or directed over 80 productions at WHAT since 1997. Member: United Scenic Artists Local USA-829 of the IATSE. Faculty: Brandeis University.
CAROL SHERRY (Costume Design) 40 years! This is my annivesary season of being a costume designer. What a great journey I've had! Graduated from UC Santa Barbara 1985 with a degree in
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MATT OTTO (Original Music and Sound Design) Matt Otto is a Drama Desk and Lucille Lortel
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to my birthplace NYC. First job in NYC was in the costume shop at Juilliard. Being back on the East Coast gave me the opportunity to spend summers at a family house in Provincetown. That began my decades of working theater gigs summers on the Cape and winters in NYC. Four years ago I decided to retire from NYC and move year round to Provincetown. I'm so greatful to WHAT for all of the shows I've designed over the years. Here's to another great season!
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rooted in exploring themes of identity, resistance, and belonging, with a focus on speaking truth
to power and amplifying the lived experiences of people whose voices and perspectives are too often left off our stages. As an adoptee, he is especially drawn to works that ask Who am I? and Where do I fit in this world? Questions that resonate deeply with him and serve as a potent source of inspiration. In New York, Matt has designed productions for companies including Red Bull Theater, The New Group, Audible, Pipeline Theatre Company, New York City Children’s Theater, Colt
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Acting School Conservatory, New Saloon, and many others. Regionally, his work has been heard at Hudson Valley Shakespeare Festival, Folger Theatre, Woolly Mammoth, GALA Hispanic Theatre, Imagination Stage, Brown/Trinity Rep, Yale Repertory Theatre, Arkansas Rep, Alabama Shakespeare Festival, Lyric Theatre of Oklahoma, Theatre Alaska, and more. He has also designed numerous productions for the Edinburgh Fringe Festival. Matt holds an MFA from the Yale School of Drama and a BFA from Boston University. He is a member of United Scenic Artists Local 829.
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an essential component of society and advances the careers of its members by negotiating wages, improving working conditions and providing a wide range of benefits, including health and pension plans. Actors' Equity is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. Equity is governed by its own members through an elected Council, representing principal actors, chorus actors and stage managers living in three regions:
N (“Equity”) founded in 1913, is the U.S. labor union that represents more than 51,000 professional actors and stage managers. Equity fosters the art of live theatre as
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system of Regional Boards and committees. Equity has 28 designated Geographically Based Communities, metropolitan areas with a concentration of more than 100 members.
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