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instruments join in lockstep. A second, gentler theme offers some reprieve, but no escape from the oppressive rigidity of this movement.
The fourth movement sets a new scene in a broader, more expansive space. Then it picks up a zealous lilt, which finally breaks out into an ecstatic, double-time coda, skittering to a dazzling end.
The “Serioso” Quartet sheds the musical conventions of Beethoven’s day, and resists even the dramatic logic we so often look for in music. Instead, it draws you along through ideas that don’t connect in any accountable way, their contradictions working on your imagination.
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