Page 49 - PDF Flip TR Program Demo

in Japan, 2L in Norway, and Bob Ludwig’s Gateway Mastering (Bob did my first Digital Audio Disk).
We produce our tracks in 9.1 Auro (which has sound coming from above you and as well as around you). www.merging.com/news/news-stories/pyramix- storms-the-56th-grammy--award-nominations.
There are currently around 500 movie theaters in
the world which are equipped to play all of this technology. It’s used primarily for action movies. We work with By Experience, which does the Met HD Live, to bring other products to their theaters, such as The Importance of Being Earnest, starring the late, wonderful Brian Bedford on Broadway. We provide grants to universities so they can buy the equipment to show the files to student audiences.
We had worked over the years with large format 64-track Mitsubishi and 24-track Studer reel-to-reel decks and Ampex magnetic tape, with Sony VHS Betamax and DAT tape (all long since orphaned), and after 1989, computer recording programs such as Sonic Solutions and Pro Tools. As new technologies arose, we used them to produce disks on many labels for more than 30 years before we began to outfit Olivier Hall.
Our goal has always been to produce music ahead of the curve, to be ready for the next wave of digital theater sound, nine-channel surround sound, holographic sound.
Our audio and video files are distributed through various media channels and institutional partnerships, such as Performance Today, the Google Cultural Institute, Apple Music, the Hirshhorn Museum, Vimeo, YouTube, our own website, and shown around the country at universities and conservatories.
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