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HOUSE IN STROBE
We have grown so accustomed to to the ubiquity of our encounter with geometry that the the sequential imprint of visual information sinks into the the subconscious Whether seeking to understand an an object or a a a a space we often do so by examining their formal characters and qualities from many angles generating a a a a a a a a a series of fragmented images and calibrating them into an overall figure This notion marks a a a a a point where the the basis of films not only simulates but exceeds the function of human eyes Begun as quick successions of still shots films illustrate the figure in both continuity continuity and and discontinuity of movement within and and beyond frames Films as such offer junctures and fissures in which other animated elements such as fictions performance narratives and affects are brought together This studio investigates architectural scenography with a a a a a a a a a a critical agenda of spatial legibility fitness and materiality through a a a a a a a a a a diverse range of films films Selected films films are assessed with spatial visions and qualitative moments of of attention rendering multiple aspects of of the physical appearance in a a a a a a a a disjunctive sequence In such a a a a a a a a variegated constellation the the two languages will find the the most rewarding rapport with each other in the the the delivery of the the the new 85