Page 14 - ISLA 320 REVIEW PACKET

b. Immigrants flocking to city centers
c. The automobile created a new form of transportation making it easier to travel d. Visual storytelling began to take form with plots and themes
e. Film was a cheap form of entertainment
f. Silent films were easily understood by illiterate immigrants
g. Audiences wanted to see stories with political themes
h. Booze was cheap and abundant
i. Even seeing people getting on trains, or doing everyday things was interesting to people who had never traveled
j. Urbanization
k. Wealth and prosperity brought on by industrialization and a positive job market l. Classic stories folks were familiar with were a draw
Question 7
Question text
CINEMATIC TERMINOLOGY
Match the definition with the term used in making motion pictures.
Editing different shots together to tell a narrative.
Eisenstein's idea that adjacent shots should relate to each other in such a way that A and B combine to produce another meaning, C, which is not actually recorded on the film.
The person who created the film, in terms of style and consistency of look to their other films. Most usually the director.
French periodical that discussed cinema as an art form and established much of the terminology now used to discuss movies critically.
A series of drawings and captions (sometimes resembling a comic strip) that shows the planned shot divisions and camera movements of the film.
Movement of the camera from left to right or right to left around the imaginary vertical axis that runs through the camera.
A term that refers to periods of time that have been left out of the narrative. This could be a fade, or a cut to black, but the editing indicates some period of time has passed.
An optical effect in which an image is pushed aside the preceding image. Very common in the 1930s; less so today.
A