Page 99 - Sheffield Doc/Fest 2018 Guide

Craft Summit
Presented by Documentary Campus
Sat 9 June / ITV Town Hall Reception Room A
Sat9June/12:00/
ITV Town Hall Reception Room A
As screens become become more hi-res colour grading has become become an an an essential tool to to work with raw camera images How can you change the the look of a a a a a a a a a a a a shot what effect effect does it
have and are there cost-effective solutions? Hear from a a a a a a a a a a colourist who specialises in in in in bringing black and and white archive to to life and and and a a a a a a a a a a a a colour grader at a a a a a a a a a a a a leading post house We’ll discuss apps and and online tools as as well as as high-end kit Sat9June/14:00/
ITV Town Hall Reception Room A
How do do do documentary filmmakers choose the the stories they tell? What does it
mean to to to put
your own story on on screen? And how do do you you craft those stories to to to to resonate with with global audiences? Two Sundance-winning directors speak with with critic and and journalist Simran Hans about their filmmaking approach and and share insights into each other’s work The Colourist – Making a a a a a Grade Great
Why we Film – Directors and Their Story Choices
Chair
Speakers
Krishan Arora (SBS)
Samuel Francois-Steininger (Composite Films) Katherine Jamieson (Halo)
Chair
Speakers
Simran Hans (Observer)
Sandi Tan (Dir (Dir Shirkers p 69) Tim Wardle (Dir (Dir Three Identical Strangers p p 42)
Sat9June/15:00/
ITV Town Hall Reception Room A
As advances in in in technology mean better sound in in in cinemas and and from televisions and and evermore focus on on a a a a a a a a films’ soundtrack what can sound sound designers do for a a a a a a a a a film? We explore this question with a a a a a a a director whose debut feature creates a a a a a a a striking portrait of Beirut through sound sound and and image and and and a a a a a a a a sound sound designer working across documentary and and fiction Sat9June/16:00/
ITV Town Hall Reception Room A
As the the form evolves documentary and animation are are coming together in in in in surprising ways Some filmmakers are are using the the artistic scope of drawn or or computer-generated images to create new visual languages For others it
may be a a a a a a a a a a a way round the the costs of of dramatic reconstruction or or or lack of of of real footage Animator Anna Humphries will lead us
through a a a a a a a a a a survey of of the the the genre’s range and we will explore with other panelists the the the potential for filmmakers to use animation techniques in their work Sound Design – The Art of Noise
Animated Documentary – Frame Frame by Frame Frame Chair
Speakers
Krishan Arora (SBS)
Peter Albrechtsen (Dir (Dir Distant Barking of Dogs p p p 46) Rana Eid (Dir (Dir Panoptic p p p 72)
Chair
Speakers
Krishan Arora (SBS)
Anna Humphries (InfoCandy) Rupert Russell (Dir How the World Went Mad)
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Talks & Sessions