Page 31 - MISER

TIM JACKSON
CHOREOGRAPHER
Training: Mountview Academy and Oxford University (BA Music). Choreographer/movement director credits include: the 40th Olivier Awards 2016 (Royal Opera House), Made in Dagenham (Queen’s Theatre, Hornchurch and New Wolsey, Ipswich), Oliver! (Watermill), The Secret Diary of Adrian Mole Aged 13 3⁄4 (Leicester Curve), Little Shop of Horrors (Manchester Royal Exchange), Merrily We Roll Along (Olivier Award Best Revival
– West End and Menier Chocolate Factory), Much Ado About Nothing (Queen’s Theatre, Hornchurch), If I (Aoyama Theatre, Tokyo), Frisky and Mannish: Just Too Much (Udderbelly and Edinburgh Festival), The Beautiful Game (Union), Parade (Southwark Playhouse), A Midsummer Night’s Dream (Japan tour), The Threepenny Opera and Into the Woods (Oxford Playhouse), The Roar of the Greasepaint, The Smell of the Crowd (Finborough), Origin of the Species (Arcola) and From Hackney to Hollywood (UK tour).
Opera includes: La Périchole (Garsington Opera), La bohème (tour to Jerusalem, Ramallah and Nablus) and The Marriage of Figaro (Wilton’s Music Hall).
and Mr Foote’s Other Leg (also West End), Wonderland, The Last of the Duchess and Enlightenment (Hampstead Theatre), Scenes From an Execution (NT), Escaped Alone, The Wolf at the Door and Circle Mirror Transformation (Royal Court) and Bull (Young Vic).
Recent opera and dance includes: Manon Lescaut (Metropolitan Opera), Andrea Chenier (Opera North), Carmen (Royal Ballet/chor: Carlos Acosta), The King Dances (Birmingham Royal Ballet), Carmen (also set design, Miami City Ballet/chor: Richard Alston), La Traviata (Glyndebourne), The Damnation of Faust and Madame Butterfly (ENO) and Pelléas
et Mélisande (Mariinsky). Peter has directed and designed concert stagings of The Ring Cycle and The Flying Dutchman for Opera North. In November, he will direct and design a concert staging of FIDELIO for Orchestre de Chambre de Paris.
Awards include: 1995 Olivier Award for Outstanding Achievement in Dance for The Glass Blew In (Siobhan Davies) and Fearful Symmetries (Royal Ballet), 2003 Olivier Lighting Award for The Bacchae (NT), 2010 Knight of Illumination Award for Sucker Punch (Royal Court) and the Helpmann Award and the Green Room Award in 2013 for King Kong.
GREGORY CLARKE
SOUND DESIGNER
For Theatre Royal Bath: The Truth (Wyndham’s), A Steady Rain and The American Plan (St James), Henry IV (Parts I and II), Jeffrey Bernard is Unwell, Blithe Spirit, The Rivals, Hedda Gabler, The Winslow Boy, Balmoral and the Peter Hall Company season.
Other theatre includes: The Two Noble Kinsmen, The Alchemist, All’s Well That Ends Well, Coriolanus, The Merry Wives of Windsor, Tantalus, Cymbeline and A Midsummer Night’s Dream (RSC), The Truth, Dinner with Saddam, Assassins, Two Into One, The Lyons, The Color Purple, Travels with My Aunt and Proof (Menier Chocolate Factory), Welcome Home Captain Fox!, My Night with Reg, Versailles, The Night Alive, A Voyage Round My Father and The Philanthropist (Donmar Warehouse), The Color Purple (Broadway), The Twits and The Ritual
Slaughter of Gorge Mastromas (Royal Court), Medea, The Doctor’s Dilemma, Misterman and Tristan and Yseult (NT), The Merchant of Venice and Cloud Nine (Almeida), Clarence Darrow,
A Flea in Her Ear, National Anthems and Six Degrees of Separation (Old Vic), Journey’s End (Duke of York’s/New York – Drama Desk Award for Outstanding Sound Design), Equus (Gielgud/ New York – Tony Award for Best Sound Design of a Play), A Christmas Carol, Mrs Pat and The Boy in the Striped Pyjamas (Chichester Festival Theatre), Annie Get Your Gun (UK tour), The Birthday Party (Manchester Royal Exchange), The Seagull (Headlong), Donkeys’ Years (Rose Theatre, Kingston), Arcadia (ETT), The Irish Shakespeare Project, Brigit and Bailegangaire (Druid Theatre), The Night Alive, The Philanthropist and Pygmalion (New York) and My Night With Reg, Goodnight Mister Tom, The Vortex, A Voyage Round My Father, And Then There Were None, Some Girls, Waiting for Godot and What the Butler Saw (West End).
CHRIS WALKER
MUSICAL ARRANGEMENTS
& SUPERVISION
Chris has been associated with numerous productions across the UK and USA, West
End and Broadway, as a musical director, orchestrator and dance arranger.
Theatre includes: Godspell, Oliver!, Side by Side by Sondheim, My Fair Lady, Tomfoolery, Me and My Girl, Cabaret, Follies, Hot Shoe Shuffle, The Secret Garden, Sweet Charity, Imagine This, Acorn Antiques – the Musical and Lend Me a Tenor. He contributed the dance arrangements for the National Theatre and Cameron Mackintosh’s West End production of My Fair Lady and its highly successful UK and USA national tour, and provided orchestrations for a recording of The Likes of Us, the first show ever composed by Andrew Lloyd Webber
and Tim Rice. He is also a prolific composer in his own right, has produced numerous cast recordings and has worked extensively for television and film, providing orchestrations for the movies Shirley Valentine and Impromptu. His credits include writing the orchestrations and dance arrangements for the West End
He was recently co-director of The Oliviers
in Concert (Royal Festival Hall) and associate director of High Society (Old Vic). His work as musical director/supervisor includes: Little Shop of Horrors (Manchester Royal Exchange), The Lion, the Witch and the Wardrobe (Birmingham Rep), Floyd Collins (Southwark Playhouse) and Dreamboats and Petticoats (UK tour).
PETER MUMFORD
LIGHTING DESIGNER
Recent theatre includes: A Christmas Carol, Women on the Verge of a Nervous Breakdown and Top Hat (all West End), Little Eyolf
and Ghosts (also West End/BAM), Bakkhai (Almeida), Long Day’s Journey Into Night (Bristol Old Vic), High Society and Other Desert Cities (Old Vic), King Kong (Melbourne), King Lear (Chichester Festival Theatre/BAM), Wild