Page 23 - Fujifilm Exposure_2 Bon Jovi_ok

1982
Heat And Dust (Walter Lassally)
1984
Dance With A Stranger
(Peter Hannan BSC)
1985
The Girl In The Picture (Dick Pope BSC) A Room With A View
(Tony Pierce-Roberts BSC)
1986
Castaway (Harvey Harrison BSC)
1987
Wish You Were Here (Ian Wilson BSC) Withnail & I (Peter Hannan BSC) Hellraiser (Robin Vidgeon BSC)
1988
Scandal (Mike Molloy BSC)
A Handful Of Dust (Peter Hannan BSC)
1991
Hear My Song (Sue Gibson BSC)
1992
The Crying Game (Ian Wilson BSC) Soft Top, Hard Shoulder (Henry Braham BSC)
Map Of the Human Heart (Eduardo Serra AFC)
1993
Bhaji On The Beach (John Kenway BSC) 1995
Secrets And Lies (Dick Pope BSC) Boston Kickout (Roger Bonnici)
1996
The Van (Oliver Stapleton BSC) Restoration (Oliver Stapleton BSC) Surviving Picasso
(Tony Pierce-Roberts BSC)
1997
The Wings Of The Dove
(Eduardo Serra AFC)
Up ‘N’ Under (Alan Trow BSC)
1998
Hideous Kinky (John de Borman BSC)
1999
Human Traffic (David Bennett)
Ratcatcher (Alwin Kuchler BSC) The Darkest Light (Mary Farbrother)
This Year’s Love (Robert Alazraki AFC) Love’s Labour’s Lost
(Alex Thomson BSC)
Saving Grace (John de Borman BSC)
2000
Kevin And Perry Go Large
(Alan Almond BSC)
The Golden Bowl
(Tony Pierce-Roberts BSC) Chicken Run (Dave Alex Riddett) Pandaemonium (John Lynch) Snatch (Tim Maurice-Jones) Born Romantic (Robert Alazraki AFC) The Hole (Denis Crossan BSC) Liam (Andrew Dunn BSC)
2001
Mean Machine (Alex Barber) The Importance Of Being Earnest (Tony Pierce-Roberts BSC)
2002
Dirty Pretty Things (Chris Menges BSC) Spider (Peter Suschitzky BSC) Bend It Like Beckham (Jong Lin) Pure (John de Borman BSC)
2003
Mr In-Between (Haris Zambarloukos) American Cousins (Jerry Kelly) Bright Young Things
(Henry Braham BSC)
2004
Kiss Of Life (Wojciech Szepel) Suzie Gold (Daf Hobson BSC) Wondrous Oblivion (Nina Kellgren BSC) Ae Fond Kiss (Barry Ackroyd BSC) Enduring Love (Haris Zambarloukos) Ella Enchanted (John de Borman BSC)
Recent Filmed TV drama/series include:
Longitude (Peter Hannan BSC) Gormenghast (Gavin Finney BSC) Dinotopia (Tony Pierce-Roberts BSC) Nicholas Nickleby (Sean Bobbitt) Shackleton (Henry Braham BSC) My Beautiful Son (Lawrence Jones) Spooks I & II (Sue Gibson BSC/ Adam Suschitsky/Sean Bobbitt) The Gathering Storm
(Peter Hannan BSC)
The Lost Prince (Barry Ackroyd BSC) Rosemary & Thyme I & II (Paul Englefield)
FTHE ENVIRONMENT
ujifilm has always paid particu- lar attention to the effect its manufacturing operations have on the environment. At the Ashigara factory all water used
in manufacturing is extensively puri- fied before being returned to the river. The purified water outflow is passed through a series of tanks that house large numbers of Koy Carp. The under- lying philosophy is ‘If the Carp are healthy, the factory is healthy’.
OKEY INNOVATIONS
ver the years Fujifilm has interdicted key innovative camera films to the motion picture market, including a high speed reversal film for TV
in 1974 (RT-400) and the worlds first high quality low speed daylight nega- tive film - the F-64D in 1988.
However the most important of these for the cinematographer was the introduction of the original Fujicolor A250 high speed negative film in 1980. At a time when the general philosophy in the industry was that for colour, one speed of negative film was sufficient for all purposes; A250 bucked the trend and immediately offered a number of advantages to the cinematographer.
Firstly, lower-light cinematography was possible, but also lighting in a given situation could be reduced, therefore offering a significant reduc- tion in production costs. Fujifilm did not replace the earlier stock with A250 but chose to run it alongside the exist- ing 100 speed negative film. In this way, the cameraman had a choice of stocks for different shooting situations.
The first European production to use Fujicolor A250 was Wolfgang Petersen’s Das Boot (DP: Jost Vacano), filmed by Bavaria Radiant Productions and com- pleted in 1981. Another early user of A250 film was the French production Le Dernier Metro (DP: Nestor Almendros), directed by Francois Truffaut.
The Fuji Photo Film Company was honoured for its innovation in 1981 by being presented with the Academy Award of Merit - popularly known as a ‘Technical Oscar’ - for its “research development and introduction of a new ultra-high speed colour negative film for motion pictures.” ■
Photos below l-r: Spider; Ae Fond Kiss; Longitude; Le Dernier Metro; The Wings Of The Dove; Surviving Picasso; Suzie Gold; Love’s Labour’s Lost; Chicken Run; Shackleton
history
MOTION PICTURE & PRO-VIDEO
A Select Filmography
OF UK-BASED FEATURE FILMS SHOT ON FUJIFILM (DP IN BRACKETS)
Fuji Motion Picture And Professional Video • Exposure • 19