Page 42 - Fujifilm Exposure_50th AWARDS ISSUE FULL PDF - cropped

FEATURE IN FOCUS
THE DP VIEW
HARVEY HARRISON BSC
I shot with as Panavision Millennium camera, Super 35mm, Primo prime lenses, absolutely no zooms, just tracking and big crane shots.
I chose Fujifilm for the reason of NZ having such wonderful big country that I felt the Fujifilm stocks would do all the landscapes justice with its rich intensity of colour.
I used three different stocks – ETERNA 250D for all the day scenes, ETERNA Vivid 160T for Day for night and evening scenes, and the EYERNA Vivid 500T for night scenes and interiors. I wasn’t disappointed one little bit.
The weather conditions were interesting to say the least; we had everything thrown at us, but the film handled my interpretations perfectly.
I used HMI lighting with straw filters for all of the day exteriors with some use of the mixed gold and silver reflection. For the day for night, evening and night scenes, I just used incandescent lamps with a mixture of CTO filters, especially as there were a lot of campfires.
40 • EXPOSURE • THE MAGAZINE • FUJIFILM MOTION PICTURE