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exposure
ISSUE 46 AUTUMN 2009
Our film and TV reports range from the urban to the wildly rural. Sex & Drugs & Rock & Roll, recreates the life and times of punk pioneer Ian Dury, he and his group The Blockheads of ‘Hit Me With Your Rhythm Stick’ fame. To Kent for the umpteenth remake of Jane Austen’s Emma, which lit up BBC One screens during the autumn, and to Norfolk, the main setting for Glorious 39, writer- director Stephen Poliakoff’s first cinema film, a period thriller, for a decade. Danny Cohen BSC tells us how Hitchcock proved a major influence. Linking Emma and Glorious 39 is actress and our Cover girl, Romola Garai, one of Britain’s brightest new stars.
Producer and director Olivier Kaempfer is a huge fan of film which he has
embraced with a wide variety of
subject matter in his recent short
films from the Swiss Alps based
A Road Apart and Marseilles story Ralph to a featurette for rock group Noah and The Whale’s The First Days Of Spring. To Bethnal Green for an insight into the world of no.w.here, where recomissioning old film and equipment has become an art form.
All this plus Commercial Break
featuring DP Richard Mott on his new McDonald’s ads, a catch-up with cameramen Stuart Bentley and Richard Stewart, winners of the inaugural Fujifilm Shorts Competition earlier this year, and set visits to two new British features Exam and Following Footsteps and the TV drama Collision, not to mention a round-up of the latest Fujifilm news in Festivals & Events.
JERRY DEENEY MARKETING MANAGER www.fujifilm.co.uk/motion
Photos from top: McDonald’s Commercial in full swing; Sam Worthington in Clash Of The Titans; Paul Hogan, DP Roger Lanser ACS and co-star Shane Jacobson on Charlie & Boots set
e have gone to the ends of the Earth for Wthis globetrotting latest issue of
EXPOSURE stopping off in such exotic far away places as Armenia, Oklahoma and the Australian Outback. We sneak a view
through the lens of Lol Crawley who has painted for us a vivid picture of Armenia while filming the offbeat new feature Here. Known as The Sooner state, Oklahoma, along with New Mexico, was actually doubling for West Texas, the setting for a remake of Jim Thompson’s classic pulp fiction novel The Killer Inside Me, the latest collaboration from director Michael Winterbottom, producer Andrew Eaton and cinematographer Marcel Zyskind.
Oz, some 2,500 kilometres of it, from the Southern coast of Australia to a beach in the North East of Queensland at Cairns, is on view, thanks to Roger Lanser ACS, in the hit road comedy Charlie & Boots, which sees Paul Hogan back on the big screen.
There’s also a touch of the exotic about the two latest cinematographers in our long-running Behind the Camera series. Benôit Delhomme AFC first made his name lighting The Scent Of Green Papaya
and Cyclo, a pair of acclaimed features by the Vietnamese director Anh Hung Tran. For the past 10 years he’s worked outside his native France filming all over the world, notably in Australia (The Proposition), Hungary (The Boy In The Striped Pyjamas) and in the UK (Breaking And Entering, 1408). He’s been back here recently to shoot the internet thriller Chatroom for Japanese director Hideo Nakata on the new ETERNA Vivid 500T stock. Syria-born but Lebanon-raised Ali Asad has, feature-wise, worked mostly in the UK on low-budget tough guy dramas such as Rise Of The Footsoldier and, just released, Dead Man Running, funded by footballers Rio Ferdinand and Ashley Cole.
FUJIFILM MOTION PICTURE • THE MAGAZINE • EXPOSURE • 1