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EWXPOSURE EXPOSURE
THE FUJI PHOTO FILM UK MAGAZINE • SPRING 2002
ith his pinstripe suit, polka dot bow feature director Michel Gondry with whom
tie, homburg hat and large cigar he’d previously collaborated on award-winning clamped firmly between the lips, commercials and music videos.
there’s absolutely no mistaking the From various corners of the English formidable figure of the great countryside come reports of three new British
Winston Churchill, portrayed as if to the man- films: Oscar Wilde’s timeless THE IMPORTANCE
ner born by award-winning actor Albert Finney. For our Cover Story, we report on the
filming of the new BBC/HBO production,
THE GATHERING STORM, which follows Churchill through the final part of his Wilderness Years in the Thirties before he returned triumphantly to power at the outbreak of World War Two.
There is an intriguing trio of cinematogra- phers interviewed in our Behind The Camera series. GEOFF BOYLE rose up through stills then television and documentary to be part of the BAFTA winning team on the live action short About A Girl earlier this year. MALCOLM MCLEAN started out as a gaffer in his native Australia and only graduated to DP some six years ago. Most recently he completed Stuart St Paul’s dark thriller, Devil’s Gate, on location in The Shetlands.
French native ROBERT FRAISSE was an Oscar nominee for Jean-Jacques Annaud’s The Lover and, last year, runner up in the BSC Best Cinematography stakes for his work on the same director’s epic Enemy At The Gates. As a young man he always wanted to be an explorer but to his great surprise got accepted at film school. Another globe-trotting cameraman,
TIM MAURICE-JONES, reveals all about his first foray into Hollywood working for first-time
OF BEING EARNEST is dusted down and opened up in rural Bucks for a new version by the makers of An Ideal Husband. Heading the all- star cast are Rupert Everett, Colin Firth and Dame Judi Dench. To the Cotswolds for CRUSH, writer-director John McKay’s first feature with Andie McDowell, Imelda Staunton and Anna Chancellor. And just off junction six of the M40 in Oxfordshire are Jason Flemying, Kirsty Mitchell and Maureen Lipman in former still photographer David Fairman’s second film,
A FLIGHT OF FANCY.
Keeping, as the title might suggest, well
away from the spotlight are the heroes of a new BBC drama series, SPOOKS, about the shadowy world of the secret service. There are yet more crucial backroom boys (and girls) in feature on the recent post-production work by QUANTEL iQ Systems – who are closely involved in our recent demo film The Glow.
All this plus John Downer’s latest BBC TV wildlife extravaganza WEIRD NATURE, some fascinating personal testimony on our exciting new REALA 500D film stock from DPs Alan Martin and Jonathan Patrtridge and a short focus on a pair of international award-winning films, including No Man’s Land, which scooped the Best Foreign Language Oscar. ■
ERIC MOULD
DIVISIONAL MANAGER FUJIFILM MOTION PICTURE & PROFESSIONAL VIDEO TAPE
www.fujifilm.co.uk/motion
JOHN ROBINSON
MICHELLE GREEN
JACKIE SPADACCINI
ROGER SAPSFORD