Page 95 - Sharp September 2024

“I’ve been doing this a long time, and this is the first time where I can definitely feel a shift.”
GLEN POWELL IS FEELING UNUSUALLY CONFIDENT. IT’S
a Tuesday night in December 2007, and the young Texan actor is on the red carpet at the Cinerama Dome at the ArcLight cinema in Los Angeles for the premiere of the Denzel Washington–directed drama The Great Debaters, in which he has a small but juicy part as the Harvard debater Preston Whittington. Nobody is paying much attention to Powell, whose most prominent screen credit to date had been as “Long-Fingered Boy” in Spy Kids 3D. But Washington’s publicist eventually persuades a solitary camera crew to come his way.
“This guy’s in the movie,” the publicist tells the reporter, who seems skeptical that speaking to this beaming, bushy-haired teenager will be worthwhile. But Powell’s grin, so open and affable, is difficult to resist. “Okay,” the reporter replies warily. “I guess we’ll interview you.”
Powell speaks eagerly about having been cast by Washington on the strength of a live table read, about what it was like to shoot on the Harvard campus, about what he learned at the gruelling debate camp where he and other actors were sent to bone up before the shoot. The reporter, clearly running out of questions, rounds out the conversation with a softball, asking Powell if he has any resolutions for the new year. Powell, with a glint in his eye, doesn’t hesitate. “I want to be Denzel Washington,” he says.
This must have sounded outrageously brash, if not outright presumptuous, considering that at the time Powell had only barely begun the long and arduous process of proving himself in the entertainment business. But looking back on this moment now — and laughing at his show of mock bravado — even somebody as humble as Powell can admit that maybe his playful red carpet boast had been on
to something. Between the stratospheric commercial success of the blockbuster disaster flick Twisters, the near-universal critical acclaim of the awards-season hopeful Hit Man, and the TikTok ubiquity of the future classic romcom Anyone But You, Powell has been decisively coronated as one of the biggest movie stars of his generation — the Denzel Washington, if you will, of a new era.
“I’ve been doing this a long time, and this is the first time where I can definitely feel a shift,” Powell says. “I got to have a really amazing year where I promoted Anyone But You and Hit Man and Twisters, three movies I’m incredibly proud of, and I feel really grateful for this moment. But right now, I’m just excited to get back into acting, which is where I feel the most like myself.”
He laughs, glancing out the window of the car that’s taking him to LaGuardia, where he’s set to fly to South Africa to continue shooting Huntington, the black comedy with Ed Harris and Margaret Qualley. He looks back my way. “And I’m excited to maybe not have to read a headline for a while, you know?”
Powell tells me that he had reason to feel confident that night on the red carpet in 2007. Only hours earlier, at a dinner with the cast and crew, Washington had introduced him to the legendary talent agent Ed Limato, who had urged Powell to seize this moment by giving up school and moving out to Los Angeles. If he was serious about this acting thing, Washington and Limato agreed, “Now is the time.”
It was a lot for the young man to take in. The people he’d seen go down this path before him, he said, “came back to Texas very different than they left, and the light in their eyes was gone.” It was a fate that Powell didn’t want for himself. “I think I’ve always been a
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