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SMAGAZINEOFFICIAL.COM BEAUTY
A Maximalist
Muse
.
By  use
Emily  oo  is fi ndin  t e b auty in
very pa By Ebonie Walker
 l       i   i ”
I i al il  o g. ve       i   i ”
mily W d a fuc  10 a.m al il  o g. ve  a   so onday  She nswers o  the third
r ng. “They’ve us  star ed cons ructi n. So so the
whole w  ”
S e a ks h w  y we kend wa  and wh i,
bu  later sh   ells me she er s   m on inced  have ha ood
has be n i s p  New York,  tayin  at her boyf ie o
oth r peo le,  he quite ik s bei g l r t ng  istan  b home in to p iorit ze h r fr en c s when he’s back Platonic
f ie ds i  me ns ev aso No ll e   b f th t it s h s anyt ing to  o wi  th  t  r  i aso ever th g to o with ho Wood i  Kind,  ,
and deeply earnest. And those characteri tics  her work.
W   e
i p o her work.
Wo d has  een a  rof  to
ssion  ma eup art st
rs for  l t n
not riety onl ne for her bol  looks and nco cri She
appli s h les nd   he r make  in  cri bles  s h les nd   he me rs, wi e  nd  ost often o tsid : on h n   y e
  oyfr nd s  ro fire e ca or   . .
“  strugg e
with real  ba  anx ety ” Wo  ADHD,
OCD,  nd em dysle ia.  [S metimes  it fee s like my all wobbly,” she admits.
A s e
  dmits.
A  a chi d, Wood s  yslexia  ys el er ed suppor verythi g w ve, s  d  ubject g w ve, leading h  to
follo ater,
wh n sh  starte to s ruggl  wit  anxi nx ty  Wood  elp  her  eel m re calm. Now, sh ’s d  ul found ult the two.
I mus ’v  j st been l ke, ‘ ll  nd   mus o to ’ll  Ham st
t
  ,
l a e
n a  I’ l do l  a
blan et, a  I’ l do my makeu     I y ooks, a d I’ l  egu rt
for ,” s e  ays. “I s r a p ly har nci  to e plain,  ut  s and
p g ”
This sort of  ona erspect ve gives W od the free itional
or opu ar makeup aesthe ic
. Th bright t sha tos ick r o ,
an  pin  are her go ps in tos ick r o  She ses l go ps in tos ick r o on her s.
te y  ns and lush on he  li s. P oduct categ rie  are o ly su  o t
exis  o  her radar. S e re ies on   h  r ns  s inc —just growing up.
I can see [ omet oesn ing] a t real d  y know th rt
for t] eve y
ma gh i e s nse, even th y
ma gh i ’s no to lo  c k  nven iona  line  t to
ch eca e
s    I’m goin  t to
ch  m ybe dd a  ee  line ’s hy t
fo g
to put   all to eth ,
y  she  ,
y . “ ha ’s hy why, I  look ng,  s well. B c use
it’s adds.
Near t  end of our co e
c vers tio e
  c s ,
s n e
Wood sha oul e
ca paign  e  oul  wri e  nd d rect, i  sh  we line of makeup products.
e    n y rt
for ts.
“ t wo d be   r ub all  young irl, ma be on  to  once l he  bl mishes, es an wa  it s j st  ts, ot wo k  “T ”
Wood expl ins  “The  she urre ders  nd sh ’s  ’     the
m and s lti use te hni ue.’  rt
for he’s g t brace the
m and s e’s  e
h ’ t
b a i a t
k s T e
a
bit o   l  ‘f ck i  girl alread ,” sh  sa t
k s T e
rt
for  “Then [th lady with rink es,”  ood  nt nues  “ ’s  n nd s e’s  he p
tryi   o co ceal  hes  things  I jus  [n nd  ed t y self ibrancy isn’ As s e sp aks,  t’s    l s i ar tha  thi isn’  just   stron e.
Woo  ca ’t he p  ut to c ea  d in e a d dr m u t   v er W   h o s n ru  ar ist—  ever  se se o  th  word. Faces  For now.
ographed by  mi y Woo .
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