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INTRODUCTION
[ 289 ]
color and brightness, 71–74 compositing, 60–61 compression of files, 84–85 doctoring, 80–82
visual thinking, 6–7 in-camera framing, 36 indents, 124
intent, photographer, 27 intentional blur, 45
lighting gear, 51
lighting setups, 49–51
lighting techniques, studio, 50 linear perspective, 145
lines, 141
logos, 127
paths, 150–52, 166 pattern fills, 158
pen tool, 154
pencil tool, 154 photographer intent, 27 photojournalism, 15 Photoshop, 58–59 pixels, 18–19
reflectors, 51
refraction, 24
repeating patterns, 38 repetition, 120
resizing, 62–65
resizing, asymmetrical, 161 resolution, 13, 62–65 rhythm, 121
in-frame movement, 196 overview, 178–80
project, 208–9
screen graphics, 198–99 screen structure, 189–93 timing and rhythm, 194–95 transitions, 197
edge treatments, 77–79 filters, 83
global manipulations, 69–70 layers, 75–76
ISO, 33
isolation of objects, 66
M
overview, 58
Photoshop vs. Photoshop
K
macro lenses, 28 manipulation of illustrations,
planes, 142
point of view, 26–27 points, 140
portraiture, 16, 56–57 position, 118
positives in image, 117 print resolution, 64 projects, ix–x
rotating images, 70 rotations, 161
rule of thirds, 38
types of, 181–88
slide shows, picture-driven,
Elements, 59 Photoshopping, 58–59 project, 90–91 resolution and resizing,
L
160–61
margins, 124
masking, 67
megapixels, 13
mirroring, 119
monitor resolution, 65 monochromatic images, 48
62–65
selecting parts of pictures,
applications and file for- mats, 127–29
saturation, 72
scaling, 160–61
screen resolution, 63 screen structure, 189–93 scrolling, 123
selective focus, 41 sepia, 47
shadows, 23
sharing
182–83
social networks, 219–21
soft focus, 40
softening images, 68 solarization, 48
solid fills, 158
solids, 143
special effects, 162–65 sports photography, 17
spot art, 128
storage, online, 216–18 street photography, 15 strokes, 150–52
stroking, 167
structure, 112–13
structure, artsy/designy, 191 structure, documentary, 190 structure, emotional, 192 structure, narrative, 190 studio lighting techniques, 50 style sheets, 125
subject, speed of, 44
swag, 225
symbols, 126
66–68 images
composition and, 114–21
Binding Relationships, 248–51
applications and file for- mats, 52–54
overview, 98 project, 130–31 structure, 112–13 style and, 98–99 text, 100–101 typography, 106–11
narrative structure, 190 nature photography, 16 negatives in image, 117 normal lenses, 28
Blogging, 260–63 Collaborative Cookbook,
blur, 43–45
color vs. black and white,
264–67
Design A Font, 240–43 Digital Storytelling, 272–77 Gone But Not Forgotten,
46–48
composition, 38–39 digital advantages, 3–4 exposure, 30–33
focus and depth of field,
O
244–47
ideas, 235
Landscape Tweaks, 256–59 overview, 234
Pattern In Space, 252–55 Rogues’ Gallery, 236–39 sketching vs. painting,
design and, 176–77 overview, 173–75 slide shows, 178–80
40–42
framing, 34–37
kinds of, 14–17
light, 22–25
lighting setups, 49–51 optical illusions, 5–6, 7 overview, 3
points of view, 26–27 principles of, 4–5 projects, 56–57
P
kerning, 110, 167
184–85
slide shows, story-driven,
landscape photography, 16 layers, 75–76
layout
S
186–88
slide shows, text-driven,
elements of, 122–26 letters, 102–5
N
leading, 110, 167 legibility, 100
lens choice, 28–29 letterforms, 103 letterforms, computer, 105 letters, 102–5
objects, isolation of, 66 overall cast, 72
sharpening images, 68 shearing, 161
shutter speed, 43 silhouettes, 25 simplicity, 95–96
letters, anatomy of, 104 letters, handmade, 111 light, 22–25
light, reflected, 24
page
aesthetics, 96–97 design, 93–94
overview, 93
simplicity and, 95–96 skimability, first read, and
234–35 Webisodes, 268–71
size, 116
size contrast, 38 sketching, 234–35 skimability, 94–95 slide shows
light quality, 22 lighting effects, 74
red-eye repair, 82 reflections, 161
audio, 200–202
chunking, 94–95 painting, 234–35 panoramic framing, 35
R
applications and file for- mats, 203–7
publishing, online, 216–18
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