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INTRODUCTION
[ 287 ]
A
boundries, 142 bracketing, 31 brightness, 71–74 brush tool, 155 bytes, 20
cropping, freeform, 79
desktop printing, 211–13 file naming protocol,
fills, 76, 158–59 filters, 83, 164
fish eye lenses, 28 flash units, 50 flipping images, 70 focus, 40–42 focus, auto, 41 focus, deep, 42 focus, selective, 41 focus, soft, 40 folds, 123
H
abstract photography, 17 action photography, 17 aliasing, 100
alignment, 124 alphabets, 103
D
226–27
online storage, galleries,
handles, 150–52 handmade letters, 111 headers, 124 highlighting, 101 histograms, 73
hue, 72
anchors, 150–52 anti-aliasing, 100 applications
C
data, measuring, 84 deep focus, 42
depth, illusion of, 144 depth of field, 40–42 design, 93–94, 176–77 desktop printing, 211–13 diagrams, 127
and publishing, 216–18 overview, 210
project, 232–33
services outside the home,
B
F
galleries, online, 216–18 global manipulations, 69–70 glyphs, 108
gradient mesh, 159 gradients, 76, 159
graphic styles, 164 graphics, bitmap, 124 graphics, vector, 125 graphs, 128
grid systems, 125
ground, 117
groupings, 119
160–61
special effects, 162–65 tool selection, 153–55 tracing with Illustrator,
display and distribution, 228–31
dingbats, 111 direction, 118 display
blogs, and wikis, 219–21 swag, 225
icons, 126
illusion of depth, 144 illustration
illustration, 168–69 image editing, 86–89 images, 52–54
slide shows, 203–7 type and layout, 127–29
digital, 9
lens choice, 28–29 overview, 8–9 still-camera anatomy, 10 system, 11–12
applications and file for- mats, 228–31
documentary structure, 190 dramatic agency, 25 drawing conventions,
font families, 109
font styles, 109
fonts, 106
fonts, classifications of, 107 formats, page and screen,
anchors, handles, paths and strokes, 150–52
art, clip, 129
art, display, 129
art, spot, 128
artificating, 63 artsy/designy structure, 191 asymmetrical resizing, 161 asymmetry, 115
auto focus, 41
captions, 126
CD-ROMs, 222–24
CDs, 222–24
charts, 128
chunking, 94–95 classifications of font, 107 clip art, 129
222–24
desktop printing, 211–13 file naming protocol,
123
frames, 78
framing, 34–37 framing, in-camera, 36 framing, panoramic, 35 framing, standard, 34 freeform cropping, 79
bitmaps vs. vectors, 134–35 drawing conventions,
balance, 115
binary system, 19 bipod bias, viii–ix, 26 bitmap graphics, 124 bitmaps, 134–35 bits, 20, 21 blending, 81
blendo, 61
blogs, 219–21
blur, 43–45
blur, intentional, 45 borders, 77
214–15
social networks, Web sites,
feathering, 78 figures, 117 file formats
call outs, 126 calligraphy, 102 camera position, 27 camera shake, 45 cameras
214–15
social networks, web sites,
I
cloning, 81
collages, 60
color, 71–74
color blends, 159
color theory, 71
compositing images, 60–61 composition, 38–39, 114–21 compression of files, 84–85 compression schemes, 85 containers, 166
edge treatments, 77–79 exposure, 30–33
G
contrast, 116 contrast ratio, 32 creativity, viii cropping, 37, 69
branding, 210
CDs, CD-ROMs, and DVDs,
illustration, 168–69 image editing, 86–89 images, 52–54
slide shows, 203–7
applications and file for- mats, 86–89
branding, 210
CDs, CD-ROMs, and DVDs,
140–45
drawings, technical, 127 drop shadows, 79 duotones, 73
duration, slide show, 195 DVDs, 222–24
applications and file for- mats, 168–69
226–27
online storage, galleries,
inputting, 146–47
kinds of, 136–39 overview, 132–33
project, 170–71
scaling and manipulations,
and publishing, 216–18 overview, 210
project, 232–33
services outside the home,
E
blogs, and wikis, 219–21 swag, 225
156–57
type and text, 166–67 vector-based, 148–49
display art, 129 display size, 64 distribution
applications and layout, 127–29
applications and file for- mats, 228–31
display and distribution, 228–31
illustration, vector-based, 148 Illustrator, 156–57
image, type as, 105
image editing
222–24
140–45 fills, 158–59