Page 15 - Capture magazine Aug-Sep-Oct 21

SUPPORTING SPONSORS
18 ROBIN YONG
20 LUKE MAYZE
JACKIE RANKEN
If you are making a photograph of an often photographed subject, look for a unique point of view or make sure that your technique is perfectly matched to the subject matter within the frame. In the case of monochrome images, the subject should look great without colour. The tonal range should suit the subject whether it be high-key or low-key. Keep your whites, white, and your blacks, black. Too much grey, to my mind, is not making a statement.
NATALIE GRONO
Don’t overdo the final image processing. Keep the image looking real.
ANTHONY McKEE
Most photographers use low ISO settings to reduce noise in their images, but bumping up the ISO to a high setting can often add drama and texture to your black-and-white photos. The next time you are shooting portraits or doco in relatively low light, get bold and crank up the ISO to 12,800 ISO or even higher – because in black and white, bold is beautiful!
24 JUDY HUDSON
25
TRACY LEES
29 IRMA FERREIRA
30 BENNY CAPP
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B&W TIPS FROM THE JUDGES