Page 22 - Australian Wood Review December 2022

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3. Adrian Simon, Blade Bedside Lights,
New Guinea rosewood. ‘The idea was to make the light blade as improbably thin for the light it was producing through the use of tapers, tapers, and more tapers.’ Photos: John Rintoul
4. Eliza Maunsell, Contrast No. 3, laminated southern mountain ash. A custom built sculptural wall shelf. Photo: Lucas Townshend
5. Tom King, Modern Gypsy Acoustic Guitar with double-top soundboard, falcate bracing, laminated back and sides, a carbon fibre reinforced bolt-on neck with inlay and carved and stained features.
6. John Tucker, American Eagle. ‘Most 5 intarsia projects are a flat or level surface,
I try to go to another level and create
depth to my projects.’
7. Neil Cryer, Butterfly Fantasy, windfall jacaranda. Turned and sliced sections were pierced and joined.
8. Suzanne Medwell, The Cassandra Complex alludes to specialised climate scientists (‘Cassandras’) whose forecasts are continually ignored or disbelieved. Photo: Judith Medwell
9. Rowan Dicks, The Dark Seed, stained American ash. ‘An expression of nascent life found in nature.’ Photo: Kevin Bills
10. Trent Palelei, Acoustic Bass, Huon pine, Tasmanian myrtle. ‘The art deco rosette and headstock motif are sunrise inspired and highlight the richness of myrtle.’ Photos: Dean Agar
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