Page 103 - Protec PR Book Volume 2

Protec package for Abu Dhabi festival
UAE – Spread across ten days – and more than a kilometre of Abu Dhabi’s
corniche – the Mother of the Nation Festival (MOTN) celebrates, commemorates and honours the inspirational values of Her Highness Sheikha Fatima bint
Mubarak. Via a number of diverse activity zones, the festival again created an entertaining and highly interactive atmosphere, including educational activities, exhibitions and performance, inviting families and individuals from all walks of
life to help preserve the Emirati heritage.
Based on their success in the inaugural year, Protec were again engaged to
provide a comprehensive and fully integrated technology package – including rigging, and an array of backline from drum kits to keyboards – under the project management of James Lakin.
Working for Flash Entertainment on the Main Stage, his team faced considerable challenges, not only in reinforcing such a wide performance package, but in mitigating factors outside their control, notably the weather.
MOTN expanded to five different zoned areas this year. For the Happiness Zone Protec were engaged by production company HQ Worldwide Shows, and were tasked with providing an array of illumination – uplighting the trees and giant
flower sculptures, as well as one of the domes, the arts and crafts area and the Jeep tour. They also provided complementary sound reinforcement.
Main Stage lighting was specified by Flash International and was based largely around Clay Paky Prima Mythos, A.LEDA K20 B-EYE / A.LEDA K10 B-EYE and
Prima Super Sharpy – all controlled by grandMA 2 Full Size and grandMA 2
Lite desks.
Protec provided a projection screen that filled the back of the stage, run in
tandem with a pair of Christie Roadster HD 20K-J DLP projectors to deliver
graphic content from logos, titles, sponsored video loops and information on
what happening throughout the festival – as well as the Pokémon Orchestra,
playing in sync to a video.
Protec’s audio department also fielded an L-Acoustics KARA, a decision justified
by James Lakin, who stated: “Although it was a small audience area it still
required very good audio quality.”
Protec provided a full monitor system and festival stage patch system going to
a Digico SD5 for monitors and a Digico SD10 for FOH. “Because of the wide range of acts, we had a vast array of microphones on site and consequently lots of
stage multicore cabling to allow flexible change overs,” he added.
Overall, 21 different artists appeared on the Main Stage over the duration of the Festival, each performing twice a day – making a total of 42 performances over
the period. These ranged from a 56-piece orchestra to local jazz and pop bands. However, the weather provided another unexpected challenge. “There were so
many wet days during the set-up and the night before the opening we had wind speeds of 33 metres a second which provided a number of challenges site wide
in the hours before the doors opened to the public,” explained Lakin.
To overcome the conditions they needed to bag all equipment every night and
then unbag prior to the show. “This meant the projectors had to be realigned up every day, giving us only 20 minutes of darkness to do so before the event opened.” Summing up the event, James Lakin said, “All in all the team delivered a seamless show over some fairly difficult and unpredictable days. We managed to deliver on all fronts, which given the size of the site, and challenging weather conditions during the build-up, was no mean feat.”
(Jim Evans)
The Happiness Zone at the Mother of the Nation Festival