Page 300 - Protec PR Book Volume 2

We had four follow spots towards the backend of the arena to pick up speakers and performances. We used 16 Super Sharpies on top of the set to create a nice beam effect up top. On the floor on either side of the stage, we used 4 Super Sharpies, our new Robe Pointes and Robe Spikies. Underneath the set, which was used as the stage entrance, we used 12 more Robe Spikies for more beam effects. Along the edges of the stage we used a total of 56 Clay Paky K10 B-Eyes with 30 SGM P2s and 24 Robe Pointes to create some interesting effects there and to wash along the stages for the performances.”
Dan Ivanovski, Protec’s lighting engineer, added, “Under the grandstand roof and front of house towers, we used Varilite Spots. 24 Varilite Washes and 24 Clay Paky Alpha Wash 1200 illuminated grandstands and athletes seating area. 16 Clay Paky Scenius Profile rigged around the arena picked up the performance on stage as well as some key positions for speeches.”
The set-up took three days, followed by four days of rehearsals in preparation for the 2 hour ceremony on the opening night.
Florian Hoss, senior video technician at Protec, described the video solutions chosen.
“We used three WATCHOUT Servers for Content Playback that involved the opening video, lower thirds for name-slides, timecode for other departments and audio tracks, whereas one production machine was controlling two display machines, one main and one backup. The WATCHOUT main, backup and the incoming camera signal was then switched by a Barco S3-4K to screen.