Page 313 - Protec PR Book Volume 2

HQ Worldwide Project Manager, Simon Travis, said: “Due to the openness of the venue, scaffold towers were erected around the grandstand area. For the three big ones on the open side near the road we used our total fabrications EHD truss to span across so we could hang our lights. Underneath the grandstand 5 more little scaffold towers were placed so we could use our smaller truss and hang fixtures around the area.
“We had 4 follow spots towards the backend of the arena to pick up speakers and performances. We used 16 Super Sharpies on top of the set to create
a nice beam effect up top. On the floor on either side of the stage, we used 4 Super Sharpies, our new Robe Pointes and Robe Spikies. Underneath the set, which was used as the stage entrance, we used 12 more Robe Spikies for more beam effects. Along the edges of the stage we used a total of 56 Clay Paky K10 B-Eyes with 30 SGM P2s and 24 Robe Pointes to create some interesting effects there and to wash along the stages for the performances.”
Dan Ivanovski, Protec’s lighting engineer, added: “Under the grandstand roof and front of house towers, we used Varilite Spots. 24 Varilite Washes and 24 Clay Paky Alpha Wash 1200 illuminated grandstands and athletes seating area. 16 Clay Paky Scenius Profile rigged around the arena picked up the performance on stage as well as some key positions for speeches.”
The set-up took 3 days, followed by 4 days of rehearsals in preparation for the 2-hour ceremony on the opening night.
Florian Hoss, senior Video Technician at Protec, explained: “We used 3 WATCHOUT Servers for Content Playback that involved the opening video, lower thirds for name-slides, timecode for other departments and audio tracks, whereas one production machine was controlling two display machines, one main and one backup. The WATCHOUT main, backup and the incoming camera signal was then switched by a Barco S3-4K to screen. The screen was powered by a quadruple stack of our 30K Barco HDF-W30 FLEX Projectors. We used two main and two backups with a seamless failover switch over Widget Designer.”
Protec’s audio department handled the large space by using 24 L-Acoustic’s K2 Loudspeakers, 12 hung either side covering the area with consistent coverage front to back. These were supported by eight SB28 Subwoofers taking care of the low end all powered by the LA8 amplifiers. The system was controlled by a DiGiCo SD5 desk. They used their new Shure Axient handheld radio systems and along with that they used Sennheiser in-ear monitors for the MCs. Communications were taken care of with Clearcom Freespeak and Helixnet, allowing the crew to wirelessly communicate effectively over the entire venue while the stage management team, Protec technicians and the client used our Motorola radios.
“With the determination shown by the competing athletes fuelling the production team to deliver the opening ceremony in an extremely short time frame and within very tight budgetary limits, Protec, Al Laith and VK furniture delivered one of the most rewarding projects to date,” commented Tim Jacobs – KTS Global/ HQ Worldwide.
“Our client – HQ worldwide pulled off an excellent show with a limited budget. Great show to be a part of. Were there challenges? Yes there were. Was it worth it – absolutely!” concluded Simon Travis – Project Manager Protec.
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