Page 28 - CE Fall 2021 Catalog
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 Makeup for Film
Grunge, glamour, and injuries. The art and application of makeup help actors create characters who look the part. Students in
this course consider what looks natural under hot lights and what looks supernatural under moonlight. In addition, how do localized prosthetics work? How do bruises change over time? And if a scene calls for a variety of actors, how can the makeup artist help the camera lens the scene? Students will supply their own kit (or purchase from FDMC for an additional fee).
Instructor: Michele Clark
221JFLM480A | 7 Sessions | $299
Saturday | 9/11-10/23 | 10am-2pm CSU Lucy Huie Hall, Jonesboro
222JFLM480A | 7 Sessions | $299
Saturday | 10/30-12/18 | 10am-2pm CSU Lucy Huie Hall, Jonesboro
Script Supervision
If everyone hates you, you are doing it right. Script supervision is one of the most essential and thankless tasks on a film set. But a good script supervisor is worth whatever you need to pay. Script supervisors create and review all pre-production paperwork, in addition to their real job: watching every move actors make and listening to every word they speak. If takes don’t match, editors can’t edit. If you are detail oriented, work well under pressure, and keep cool while your comrades are slowly losing their minds, you qualify. (Internships available as CSU productions demand.)
Instructor: Teresa Steppe
221JFLM460A | 4 Sessions | $239
Wednesday | 9/1-9/22 | 6:30-9:30pm CSU Lucy Huie Hall, Jonesboro
Cameras and Lenses
Today’s digital film and video cameras come in a variety of configurations with a multiplicity of sensor arrays, lenses, and exposure options. This course addresses technical craftsmanship issues such as which lens to use, at what ISO, and for which aperture setting to achieve that perfect “look.” Students evaluate and practice with their own cameras and with our studio cameras.
Instructor: Shawn Bulloch
221JFLM421A | 4 Sessions | $239
Saturday | 9/25-10/16 | 10am-2pm CSU Lucy Huie Hall, Jonesboro Production Management
What do assistant directors, production managers, and producers do? How do they set budgets, keep track of costs, measure time spent, and manage resources? And what are a production’s legal parameters and ramifications? Welcome to a crash course in the details that give a production legs and keep it moving forward.
Instructor: Teresa Steppe
222JFLM465A | 4 Sessions | $239
Wednesday | 10/6-10/27 | 6:30-9:30pm CSU Lucy Huie Hall, Jonesboro
Lighting for Film and Video
This course focuses on lighting as means of not only shaping objects but also of story itself. Light can be hard, specular, and direct. Light can also be soft and diffused. Students study and practice the lighting setups expected by audiences of comedies and dramas and documentaries (etc.) not just to understand how to quickly create the “proper” lighting but also to understand how to play with audience expectations and to craft a visual story not quite as expected.
Instructor: Shawn Bulloch
222JFLM420A | 4 Sessions | $239
Saturday | 10/30-11/20 | 10am-2pm CSU Lucy Huie Hall, Jonesboro
Film Directing
How do directors get the most out of each production department? How can they help actors to give the performance the story needs? Students examine the role and responsibilities of the director in each of the phases of film production: scripting, casting, and creative work with the actors, camera and lighting design, and communicating effectively with the crew in order to achieve a specific vision.
Instructor: Brent Lambert Zaffino
221OLFM416B | 4 Sessions | $239
Monday | 9/13-10/4 | 6:30-9:30pm | Online
Color Theory
The classic film, The Wizard of Oz, made obvious the impact of color. Why is Dorothy’s everyday world colorless and flat, yet her fantasy is vivid and alive? What does the stylistic choice tell us about Dorothy’s character, dreams, hopes, her story? These and other aspects of color, its effects on our perceptions and reception of film, are addressed in this course
Instructor: Mark Smith/Teresa Steppe
222OLFM475A | 4 Sessions | $189
Tuesday | 11/16-12/07 | 6:30-9:30pm | Online
Crowd-funding Basics
Crowdfunding balances what you need, from whom you need
it, and how much time you have to invest. Your selection always depends on which way you want to go. To help refine your options, this course explores the types of crowdfunding sites available (who is their audience?), their fees and policies (how much do they cost?), and their typical posting needs (how much time do you have?). Potential funding platforms—like Kickstarter, Patreon, CircleUp, Causes, and LendingClub—form the basis of
FILM PRODUCTION ELECTIVES
FILM PRODUCTION ELECTIVES
 26 | www.clayton.edu/ce | 678 466-5118 | email: ce@clayton.edu
  























































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