Page 101 - E-book-การวิเคราะห์ทัศนศิลป์

¨ÍϨ oÃÒ¤ ÁÕÇÔ¸Õ¡ÒÃÊÌҧÊÃä1⁄4ŧÒ1´ŒÇ¡ÒÃÅ´μÑ´·Í1ÃÙ»·Ã§ãˌ໚13⁄4×é1áo1ÃÒo§‹ÒÂæ ¨Ò¡μŒ1áooÃÙ»áoo¨ÃÔ§μÒÁ¸ÃÃÁaÒμÔ â´ÂÊÌҧ¢Öé1´ŒÇÂàÊŒ1àâҤ3Ôμ ÃÐoÒÂÊÕáo1àÃÕÂoÊÌҧÁÔμÔ ÃÐÂТͧÀÒ3⁄4´ÇŒ ¡ÒÃÇÒ§1Óé Ë1¡Ñ ÊãÕ ËÁŒ 1Õ ÓË1¡Ñ ÍÍ‹ 1á¡μ‹ Ò‹ §¡1Ñ ãËÁŒ ¤Õ ÇÒÁ¡ÅÁ¡Å1× ¡1Ñ ¢Íoà¢μ¢Í§Ã»Ù ·Ã§ ¶¡Ù à11Œ ´ÇŒ Â1ÓË1¡Ñ Ê·Õ μèÕ Ò‹ §¡1Ñ «§èÖ ´ÊÙ §o1§èÔ ¤§·èÕ à¡´Ô ¨Ò¡¡ÒÃ»Ã§Ø á짋 ¢Í§ÈÅÔ »1 ãËÁŒ àÕ ËÅÂèÕ ÁÁÁØ ¤ÅÒŒ ¡oÑ à3⁄4a÷äèÕ´ÃŒoÑ¡ÒÃà¨ÂÕÃÐä1ãËàŒ¡´ÔàËÅÂèÕÁà»1šá§à‹»1šÁÁØ ¶Í×ÇÒ‹1⁄4ŧÒ1¨μÔáÃÃÁ¢Í§oÃÒ¤à»1šμ1Œ¡Óà1´Ô ¡ÒÃÊÌҧÊÃä1⁄4ŧÒ1áoo¤ÔÇoÔÊÁ·ÕèÊÓ¤ÑÞÍÕ¡¤1Ë1Öè§ (ÀÒ3⁄4·Õè 6.18)
»ÒâoÅ »¡ÑÊâ« ä´ŒÃÑoÍÔ·¸Ô3⁄4Å¡ÒÃÊÌҧ§Ò11⁄4ŧÒ1¨ÔμáÃÃÁ¢Í§à««Ò11 ã1àÃ×èͧ¡ÒÃÈÖ¡ÉÒ â¤Ã§ÊÃÒŒ §Ã»Ù ·Ã§ã1¸ÃÃÁaÒμÔ »¡ ÊÑ â«¶Í× ÇÒ‹ à»1š 1⁄4»ŒÙ ¯ÇÔ μÑ ¢Ô 1éÖ ã1¡ÒÃà¢ÂÕ 1ÀÒ3⁄4¨μÔ Ã¡ÃÃÁ·1èÕ Óû٠·Ã§·ÁèÕ ÍÕ Â‹Ù ã1¸ÃÃÁaÒμÔ ÁÒá»Ãà»1š û٠áoo¡§èÖ 1ÒÁ¸ÃÃÁ (Semi- Abstract) áÅÐäÁ‹ ÍÁÃoÑ ¡®à¡3±¡ ÒÃÊÃÒŒ §§Ò1 ÈÅÔ »Ðáoo1ÒÁ¸ÃÃÁ (Abstract Art) â´Â»¡ ÊÑ â«¨Ð1ÓàÍÒ¸ÃÃÁaÒμàÔ »1š ¨´Ø á˧‹ ¤ÇÒÁo1Ñ ´ÒÅ㨠¨Ò¡11éÑ ¤Í‹ Âæ à3⁄4ÁèÔ μ´Ñ ·Í1û٠·Ã§μÒ‹ §æ ãË´Œ ÅÙ ÐàÍÂÕ ´¢1éÖ ¡ÒÃãaÊŒ ÍÕ ÂÒ‹ §ÃÐÁ´Ñ ÃÐÇ§Ñ à»1š Ê·Õ oÖ æ ¤ÅÒŒ ÂÊàÕ Í¡Ã§¤ ¨Ð3⁄42Ñ 1Ò¢1éÖ àÃÍè× Âæ ¨Ð¨´Ñ ÀÒ3⁄4§‹Ø ÂÒ¡¢1éÖ à»1š ¢1éÖ àÅ¡ç ¢1éÖ 1ÍŒ Â1ÓÁÒ»Ðμ´Ô »ÐμÍ‹ ¡1Ñ áÅÇŒ 1ÓÁÒ»ÃСÍo¡1Ñ ãËÁ‹ ·Ño«ŒÍ1¡Ñ1ËÃ×ÍàËÅ×èÍÁÅÓ´ŒÇÂÊ×áÅÐÃÙ»·Ã§à3⁄4×èÍáÊ´§ÁÔμԢͧ¸ÃÃÁaÒμÔ·ÕèäÁ‹ÁÕÁÔμÔà´ÕÂÇ·ÕèμÒÁͧàËç1¨ÐÁÕ ÅÑ¡É3ÐËÅÒÂÁÔμÔ ¨Ðà1Œ1¡ÒÃÊÌҧÃÙ»·Ã§áÅФѴá»Å§¸ÃÃÁaÒμÔ·Ñé§ÊÕáÅÐÃÙ»·Ã§áo1ÃÒo´ŒÇÂàÊŒ1 àâҤ3Ôμ¨Ð¶Ù¡·ÓãËŒá¢ç§á1‹1àμçÁä»´ŒÇ»ÃÔÁÒμÃÁÔμÔ¤ÇÒÁÅÖ¡¶Ù¡·ÓãËŒà¡Ô´¢Öé1´ŒÇ¡ÒÃËÑ¡àËÅÕèÂÁÁØÁ ´¨Øà3⁄4a÷ÓãËÃŒ»Ù·Ã§o´ÔàoÂéÕÇ·oÑ«ÍŒ1¡1Ñ Ê·×ãèÕa»ŒÃСÍo´ÇŒÂÊÕ´Ó¢ÒÇ1ÓéμÒÅà·Òà»1šÊÇ‹1ãËÞ‹ ÊÌҧÁÔμÔÃÐÂдŒÇÂ1éÓË1Ñ¡¢Í§Ê×áÅзÑo«ŒÍ1¡Ñ1¢Í§ÃÙ»·Ã§â´ÂÃÇÁ (ÀÒ3⁄4·Õè 6.19)
ÀÒ3⁄4·Õè 6.19
»ÒâoÅ »¡ÑÊâ« (Pablo Picasso) ¤.È. 1910 “ÀÒ3⁄4àËÁ×Í1¢Í§áÍÁâoÊ ÇÍÅÅÒ´”
(Portrait of Ambroise Vollard) ÊÕ1éÓÁÑ1o11⁄4ŒÒão 36 X 25 1ÔéÇ
ÀÒ3⁄4·Õè 6.20
à¨ÕÂâ¤âÁ oÍÅÅÒ (Umberto Boccini) ¤.È. 1912 “ÊØ1Ñ¢¡Ñoâ«‹¤ÅŒÍ§¤Í” “Dynamism of a Dog on a Leash” ÊÕ1ÓÁÑ1o11⁄4ŒÒão 90.8 X 110 «Á.
93