Page 172 - E-book-การวิเคราะห์ทัศนศิลป์

ÀÒ3⁄4·Õè 9.14
âÃàoÔÏμ à´ÅÙà1
(Robert Delaunay) ¤.È. 1930 “ÃÙ»·Ã§¤ÇÒÁ»ÃзÑo㨔
(Circular Forms)
ÊÕ1éÓÁÑ1o11⁄4ŒÒão 128.9 X 194.9 «Á.
âÃàoÔÏμ à´ÅÙà1 (Robert Delaunay) ã«ÑÊÕáʧ¤ÇÒÁ»ÃзÑo㨨ҡ¸ÃÃÁaÒμÔ àa‹1ÊÕ áʧ 3⁄4ÃÐÍÒ·Ôμ¢Öé1áÅШҡ´Ç§¨Ñ1·Ã 1ÓÁÒÅ´μÑ´·Í1ÃÙ»·Ã§ãˌ໚1àËÅÕèÂÁÁØÁ¢Í§ÊÕáʧ ·ÓãËŒà¡Ô´ÅÑ·¸Ô ÍÍoÔÊÁ (ÀÒ3⁄4·èÕ 9.14)
¨ÍÏà¨Õ âͤտ (Georgia O’Keeffe)
¡ÒÃÊÌҧÊÃä1⁄4ŧÒ1â´Â¡ÒÃμÑ´·Í1¢Ío¢ŒÒ§¢Í§ÃÙ»·Ã§ ÍÍ¡ä» àa‹1 ¡ÒÃãaŒàËÅÕèÂÁÁØÁá·1ÃÒÂÅÐàÍÕ´¢Í§ÃÙ»·Ã§ 1⁄4ŧÒ1áÊ´§ÍÒÃÁ3¢ ͧÊáÕ ÅÐû٠·Ã§·áèÕ 1⁄2§ä»´ÇŒ ¨1Ô μ1Ò¡Òà (ÀÒ3⁄4·èÕ 9.15)
ÀÒ3⁄4·Õè 9.15
¨ÍÏà¨Õ âͤտ (Georgia O’Keeffe) ¤.È. 1924 “á´§, àËÅ×ͧ áÅдӔ (Red, Yellow and Black streak) ÊÕ1éÓÁÑ1o11⁄4ŒÒão
¡ÒÃÇÔà¤ÃÒÐˏ1⁄4ŧÒ1»ÃÐμÔÁÒ¡ÃÃÁ¢Í§àÎ1ÃÕè ÁÑÇÏ (Henry Moore) 1.¢Ñé1μÍ1¡ÒÃoÃÃÂÒÂ1⁄4ŧÒ1 (Description) ໚1ÈÔÅ»1ËÇÁÊÁÑ·Õè»ÃÐÊo¤ÇÒÁÊÓàÃç¨ã1¡ÒÃÊÌҧÊÃä1⁄4ŧÒ1»ÃÐμÔÁÒ¡ÃÃÁ ·ÕèÁÕ¡ÒÃ
3⁄4Ñ21Ò1⁄4ŧÒ1Í‹ҧμ‹Íà1×èͧ ·‹ÒÁ¡ÅÒ§¡ÅØ‹ÁÈÔÅ»1ã1Âؤà´ÕÂÇ¡Ñ1·ÕèÁÕá1Ç´ÇÒÁ¤Ô´ã1¡ÒÃÊÌҧ1⁄4ŧÒ1 μÒÁáooÍØ´Á¤μÔà¡‹Òæ ¢Í§¡ÃÕ¡ áÅÐâÃÁÑ1ã1ÃÙ»áooàËÁ×Í1¨ÃÔ§ ÈÔÅ»1·ÕèÁÕÍÔ·¸Ô3⁄4Åμ‹Í¡ÒÃ3⁄4Ñ21Ò 1⁄4ŧÒ1»ÃÐμÁÔÒ¡ÃÃÁ¢Í§ÁÇÑÏàa1‹ àÍ3⁄4çÊäμ1(Epstein)¡ÅÔ (Gill)áÅдÍçoÊ1Ñ (Dobson)ÃÇÁ·§éÑ 1⁄4ŧÒ1ÈÔŻТͧÁ1Øɏ¡‹Í1»ÃÐÇÑμÔÈÒÊμÏáÅÐ3⁄4Ç¡Í1ÒÃÂÐ 1⁄4ŧÒ1¢Í§ äÁàÈÔÅ áͧà¨âÅ (Michel Angelo) ÈÔÅ»1·Ñé§ËÅÒÂ໚1áçoÑ1´ÒÅã¨áÅÐ໚1μŒ1áooã1¡ÒÃ3⁄4Ñ21Ò1⁄4ŧÒ1¢Í§ÁÑÇÏʋÇ1»¡ÑÊâ« ãËŒÍÔ·¸Ô3⁄4Å´ŒÒ1à1×éÍËÒáÅÐÃÙ»áoo áÅÐâ¤Ã§ÊÌҧÈÔÅ»ÐÊÁÑÂãËÁ‹
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