Page 105 - E-book-การวิเคราะห์ทัศนศิลป์
P. 105

                  â´ÂÀÒ3⁄41⁄4ŧÒ1¡ÒÃÊÃŒŒÒ§ÊÃ䏏 àμççÁä»´ŒŒÇ¨ÔÔ1μ1Ò¡Ò÷ÕÕèè໚š11ÒÁ¸ÃÃÁ¶‹‹Ò·ʹ¤ÇÒÁÃÙÙŒŒÊÖÖ¡ÀÒÂã1ãËŒŒ àËÅ××Íáμ‹‹¤ÇÒÁàÃÕÕÂo§‹‹ÒÂáÅÐá¡‹‹1á·ŒŒ¢Í§ÊÔÔèè§1ÑÑéé1·ÕÕèèÈÔÔÅ»1´ŒŒÇ¡ÒÃ1ÓàÊ1Í໚š1¨ÔÔ1μÀÒ3⁄4·ÕÕèèà¡ÔÔ´¤ÇÒÁ໚š1 àÍ¡ÀÒ3⁄4¡ÅÁ¡Å××1¡ÑÑ1ã11⁄4ŧÒ1¨ÔÔμáÃÃÁ (ÀÒ3⁄4·èèÕÕ 6.26)
ÀÒ3⁄4·èÕèÕ 6.26 ᨍ¤ÊÑÑ1 3⁄4ÍÅÅççͤ (Jackson Pollock) ¤.È. 1950 “Ë1ÖèèÖ§” (one) ÊÕÕ1ééÓÁÑÑ1o11⁄4ŒŒÒão 110 X 211 1ÔéÔéÇ
  ÀÒ3⁄4·ÕèÕè 6.27
ÁÒϤ¤ â·ào (Mark Tobey) ¤.È. 1944 “àÁ×Í×ͧ·ÕèÊèÕÊÇ‹Ò‹Ò§âaμÔaÔa‹Ç‹Ç§” “Radiant City” ÊÕ1Õ1éÓéÓÁÑ1Ñ1o11⁄4ŒÒŒÒão 14 X 19 1ÔéÇéÔÇ
 ÀÒ3⁄4·ÕÕèè 6.28
ÎÒ1ʏ ÎÒϏμØا (Hans Hartung) ¤.È.!951 “¨ÑѧËÇТͧàÊŒŒ1” “T 1951-12”
38 X 57 1ÔééÔÇ
 97
       


























































































   103   104   105   106   107