Page 299 - ESSENTIAL LISTENING TO MUSIC

great staff/grand staff, 22–23 “Greensleeves,” 25
Gregorian chant (plainsong), 49–51 Gregory the Great (pope), 49 ground bass, 76
Grünewald, Mathias, 57 Guercino, 75
guitar, 56
Gutenberg, Johann, 63
H
Haas, Jonathan, 37
habanera, 12, 210–211
Hahn, Hilary, 220
half note, 17
“Hallelujah” chorus, Messiah (Handel), 42, 98–99 Halo video games, 256
Handel, George Frideric, 75, 87, 94–100, 105, 107, 251 Messiah, 42, 97–100
“Happy Birthday,” 24, 40
Happy Farmer, The (R. Schumann), 168 harmonic rhythm, 107, 137
harmony, 25–29
Baroque period, 71–73 building with chords, 26–27 Classical period, 106–107 consonance, 5, 27
defined, 25
dissonance, 5, 27
hearing, 27–29
meanings of, 25–26
Modern period, 233–234 Romantic period, 170–172, 182
harp, 34, 40, 55, 56, 185, 189 harpsichord, 38–39, 71, 105, 179
Harris, Roy, 250
Harry Potter series (films), 204, 261–262 Hartmann, Victor, 224–225 Haussmann, Elias Gottlob, 87
Haydn, Franz Joseph, 47, 106, 109–111, 122, 134, 169 London Symphonies, 111, 128, 135
String Quartet Opus 76, No. 3, the “Emperor,”
139–142
Symphony No. 94, “Surprise,” 45, 46, 105, 120,
127–130 ♭
Trumpet Concerto in E major, 131–132 in Vienna, 108, 135, 140–142, 153–154, 219
Heiligenstadt Testament, 157
Hemingway, Ernest, 231, 246
Hendrix, Jimi, 185, 255
“heroic” period, of Beethoven, 157–163
heroic themes, 23, 31, 74, 140–142
Hildegard of Bingen, O rubor sanguinis, 50–51 Hitler, Adolf, 204
Hoechle, J. N., 163
Hogarth, William, 99
Home Alone (film), 261
homophony, 40–41
Howe, Julia Ward, “Battle Hymn of the Republic,” 43 Hudson, Thomas, 95
humanism, 58, 64–66, 73
I
Ich bin der Welt abhanden gekommen (I Am Lost to the World) (Mahler), 171–172
idée fixe (fixed idea), 190–194, 262 idiomatic writing, 78
Il trovatore (Verdi), 200
imitative counterpoint, 41, 70 impresario, 235
Impression: Sunrise (Monet), 226, 227 Impressionist period (1880–1920), 9, 227–230
Impressionism in, 227–230
Modernism and Impressionism, 228, 230 paintings, 26, 226, 227–229
improvisation
in cadenza, 132
in compositional process, 128 with figured bass, 72
jazz, 41
in theme and variations, 125–127
Indiana Jones series (films), 261 Industrial Revolution, 208
Innocent Man (Joel), 156
instruments. See musical instruments Interior of the Teatro Regio (Olivero), 79 interval, 20
introduction, 122 iTunes, 2, 10
Ives, Charles, 234, 250
J
Jackson, Michael, 16, 31–32 Jaws (film), 261
Jay-Z, 43
jazz, 246–247, 252–254
defined, 252
free counterpoint, 41 improvisation, 41 roots, 252–253
types, 252–253
Jazz Age, 246–247, 253 Jefferson, Thomas, 102, 105 “Jeru” (Mulligan), 253–254 Joachim, Joseph, 219
Joel, Billy, 156
Joplin, Scott, 253
Joseph II (emperor), 116, 144 Josquin Desprez, 58–61
Ave Maria (Hail Mary), 59–61
“Joy to the World,” 24
Joyce, James, 246
Judith Beheading Holofernes (Gentileschi),
69–70
Jurassic Park (film), 261
K
Kalevala, 203 Kauffman, Angelica, 106 Kennedy, John F., 235
keyboard instruments, 38–39 great staff/grand staff, 22–23 harmony, 25
harpsichord, 38–39, 71, 105, 179 of Middle Ages, 55–56
organ, 38, 87–90
piano. See piano/pianoforte (instrument) Keyboard Pieces for Ladies, 105
key, 24–25
Keys, Alicia, 43
Khrushchev, Nikita, 235
King’s Speech, The (film), 152, 264
Knight of the Order of the Golden Spur, 111–112, 113 Köchel, Ludwig von, 136
Köchel (K) number, 136
Koons, Jeff, 254
L
La bohème (Puccini), 211–212
La mer (The Sea; Debussy), 228
La Scala Opera House (Milan), 199, 200
La traviata (Verdi), 200, 201–203
Lady Gaga, 255
Lady with the Ermine (Leonardo da Vinci), 57 L’amante segreto (The Secret Lover; Strozzi), 72–73 Lane, Chelsea, 34
Lang Lang, 39, 265
Last Judgment (Michelangelo), 59
Le Sacre du printemps (The Rite of Spring;
Stravinsky), 232, 235–240
leitmotif (signature-tune), 207, 261–262 lento, 16
Leonardo da Vinci, 57, 254
Leroy, Louis, 227
Les Demoiselles d’Avignon (Picasso), 232 “Let It Be” (Beatles), 29
Lewis, C. S., 204
libretto, 73
“Liebst du um Schönheit” (“If You Love for
Beauty”; C. Schumann), 177–178 Lied, Lieder, 172–176
Life for the Tsar, A (Glinka), 223 limbic system, 3
Lincoln (film), 261
Lincoln Portrait (Copland), 247 listening, 9–11
hearing the harmony, 27–29
with “inner ear,” 12, 157
live in concert, 8, 10–11
memory in hearing musical form, 43 relative audio quality, 10
to sonata–allegro form, 122–124 study tools, 9–10
visual, 10
writing concert reports, 11
Liszt, Franz, 152, 165, 169, 179–181, 188, 202, 207, 217, 223
Lisztomania, 180
live in concert, 8, 10–11
Lloyd Webber, Andrew, 96, 147, 150, 169 Lohengrin (Wagner), 204, 206
London Symphonies (Haydn), 111, 128, 135
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