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Chapter 13 | Antebellum Idealism and Reform Impulses, 1820–1860 383
In the mid-1830s, the sisters joined the abolitionist movement, and in 1837, they embarked on a public lecture tour, speaking about immediate abolition to “promiscuous assemblies,” that is, to audiences of women and men. This public action thoroughly scandalized respectable society, where it was unheard of for women to lecture to men. William Lloyd Garrison endorsed the Grimké sisters’ public lectures, but other abolitionists did not. Their lecture tour served as a turning point; the reaction against them propelled the question of women’s proper sphere in society to the forefront of public debate.
THE DECLARATION OF RIGHTS AND SENTIMENTS
Participation in the abolitionist movement led some women to embrace feminism, the advocacy of women’s rights. Lydia Maria Child, an abolitionist and feminist, observed, “The comparison between women and the colored race is striking . . . both have been kept in subjection by physical force.” Other women, including Elizabeth Cady Stanton, Lucy Stone, and Susan B. Anthony, agreed (Figure 13.18).
Figure 13.18 Elizabeth Cady Stanton (a) and Lucretia Mott (b) both emerged from the abolitionist movement as strong advocates of women’s rights.
In 1848, about three hundred male and female feminists, many of them veterans of the abolition campaign, gathered at the Seneca Falls Convention in New York for a conference on women’s rights that was organized by Lucretia Mott and Elizabeth Cady Stanton. It was the first of what became annual meetings that have continued to the present day. Attendees agreed to a “Declaration of Rights and Sentiments” based on the Declaration of Independence; it declared, “We hold these truths to be self-evident: that all men and women are created equal; that they are endowed by their Creator with certain inalienable rights; that among these are life, liberty, and the pursuit of happiness.” “The history of mankind,” the document continued, “is a history of repeated injuries and usurpations on the part of man toward woman, having in direct object the establishment of an absolute tyranny over her.”