Page 712 - US History

702 Chapter 24 | The Jazz Age: Redefining the Nation, 1919-1929
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THE KU KLUX KLAN
The concern that a white, Protestant, Anglo-Saxon United States was under siege by throngs of undesirables was not exclusively directed at foreigners. The sense that the country was also facing a threat from within its borders and its own citizenry was also prevalent. This sense was clearly reflected in the popularity of the 1915 motion picture, D. W. Griffith’s The Birth of a Nation (Figure 24.10). Based on The Clansman, a 1915 novel by Thomas Dixon, the film offers a racist, white-centric view of the Reconstruction Era. The film depicts noble white southerners made helpless by northern carpetbaggers who empower freed slaves to abuse white men and violate women. The heroes of the film were the Ku Klux Klan, who saved the whites, the South, and the nation. While the film was reviled by many African Americans and the NAACP for its historical inaccuracies and its maligning of freed slaves, it was celebrated by many whites who accepted the historical revisionism as an accurate portrayal of Reconstruction Era oppression. After viewing the film, President Wilson reportedly remarked, “It is like writing history with lightning, and my only regret is that it is all so terribly true.”
Figure 24.10 A theatrical release poster for The Birth of a Nation, in 1915. The film glorified the role of the Ku Klux Klan in quelling the threat of black power during Reconstruction.
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