Page 123 - PIP
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ONON looks at the walls we live in and the rules we live by ONON builds an allegory of our time
ONON is half human, half mechanical
ONON explores the line between the stability of structures and the fragility of movement.
ONON cuts movement into fragments
ONON seeks to better understand the (inter)dependence between the human body and anonymous systems.
ONON is a machine
ONON is a mobile labyrinth.
In ONON human and non-human agents create a multi-rhythmic performance reminiscent of Fernand Légers Ballet Méchanique.
In ONON things move.
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