Page 203 - Advertising Annual 55

DEWEY SAUNDERS
Philadelphia, PA
Personal archive: I have a vast collection of rare books, magazines, postcards and printed ephemera. I have several “book mountains.” But I can’t seem to stop gathering printed matter. Magazines from the ’40s to the ’60s have imagery and designs that get my mind going, and the ads from that period have interesting color qualities and styles that inspire me.
Motivational guru: I enjoyed the series David Hockney: The Biography, by Christopher Simon Sykes. It made me strive to open up to new techniques and ways of image making and to fully immerse myself in creating artwork all the time.
Up-and-coming illustrator: There is an artist named Gangster Doodles who has defined a new direction for social media- savvy illustrators: all of his drawings are on Post-it notes, and he posts once a day on Instagram, which propelled him into Internet stardom. His prints are Risographs, and he makes and sells cool pins, shirts and books. It’s great to see an artist self-propel a career with the help of social media.
ALICE MEICHI LI
New York, NY
Must-read comic: Every page of Marjorie Liu and Sana Takeda’s Monstress features an impossibly detailed art deco atmosphere and brocaded decadence. Yet Takeda’s gorgeously lush artwork complements— rather than distracts from—the writing, which, typical of Liu, is incredible. Hands down the best ongoing comic book I’ve read in years.
Guilty pleasure: I have been known to give an interesting—note: I didn’t say “good”—karaoke performance. Once I won third place in a lip-sync battle performing Aaliyah’s “Are You That Somebody?”
Illustrator’s playbook: The Muddy Colors blog is an incredible resource—it’s a place where illustrators and art directors discuss anything and everything related to fantasy illustration. It also covers a lot of ground that other types of illustrators would find useful, from promotion to career guidance to the intersection of pop culture and social justice. It’s a great general forum that exam- ines every facet of making illustrations.
ROVINA CAI
Melbourne, Australia
Priceless purchase: I splurge on good paper that feels special and makes me want to draw. I prefer something nice and thick with a beautiful texture and deckled edges, like printmaking or watercolor paper. My current go-to is Magnani Pescia printmaking paper.
Visual treasury: I just found out about the New York Public Library’s Digital Collections, an archive of thousands of scans from old books and other public domain images. Services like this are fantastic for finding interesting references. It’s easy to type something into Google and look through the image results, but for me, picture archives seem to inspire more original illustrations.
Eye-opening exhibit: I saw the Alexander McQueen exhibition Savage Beauty in London last year, and it completely blew my mind. The exhibition goes into detail about McQueen’s influences as well as his development as an artist. What especially struck me was the way he borrowed from things that inspired him, but was still able to create something true to his own voice with those influences in mind.
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