Page 12 - Advertising Annual 57

CONTRIBUTORS
Features
Valerie Gregory (fusionmedia@telus.net) writes about design, film and the performing arts. Based in Vancouver, Canada, her byline has appeared in Salon.com, the Hollywood Reporter and the Globe and Mail, among others. She teaches new media and business communication at the Emily Carr University of Art and Design and the British Columbia Institute of Technology. In this issue, Gregory profiles the versatile team behind the animation and production studio Giant Ant.
Dzana Tsomondo (dzanatsomondo @gmail.com) is a freelance writer living and working in New York City. His work has appeared in a variety of publications, from Photo District News to Cool’eh Magazine. In this issue, Tsomondo details the surreal photography of Sarah Wilmer.
Garrick Webster (imageandtext.co.uk) is
a UK–based journalist, editor and writer who has been working in the creative industry for the last 20 years. In this issue, Webster discovers the design thinking that drives A Practice for Everyday Life’s work.
Columns
Rachel Cassandra (rachel.cassandra@ gmail.com) is a writer and designer based in Oakland, California. She has written
for Vice, GOOD and Bitch, and recently published the book Women Street Artists
of Latin America. In this issue’s Creativity column, Cassandra explores the creative processes of three independent video games.
Allan Haley is a storyteller and a consultant with expertise in fonts, font technology and typographic communication. He was director of Words and Letters at Monotype for
fifteen years and has six books and hundreds of articles to his credit. In this issue’s Typography column, Haley discusses the principles behind creating typography for small screens.
Rebecca Huval (rebeccahuval@gmail.com) writes about design and its many intersections with our world. Her byline has appeared in publications such as the Awl, GOOD and Sactown Magazine. Formerly the managing editor of Communication Arts, she is now a journalist and writer based in Sacramento. In this issue’s Business column, Huval reveals how innovation labs within ad agencies produce meaningful projects.
Dave Kuhl (davekuhl.com) is a freelance writer and creative director who has worked at top ad agencies across the country. His work has won multiple Cannes Lions and received recognition from the One Show. In this issue’s Voices column, Kuhl speaks to ad veterans about the first pieces that got them in Communication Arts.
Wendy Richmond (wendyrichmond.com) is a visual artist, writer and educator
who has taught at Harvard University, the International Center of Photography and the Rhode Island School of Design. In this issue’s Design Culture column, Richmond showcases how she finds defense from troubling events through art.
Ernie Schenck (ernieschenckcreative.prosite .com) is a freelance writer and creative director who regularly contributes to Communication Arts’ Advertising column. As a freelancer, an executive creative director at Hill Holliday/Boston and a cofounder of Pagano Schenck & Kay, he is a perennial award winner at the One Show, the CLIOs, D&AD, the FWAs and Cannes. In this issue’s
Advertising column, Schenck offers advice for industry climbers on what to do when they get to the top.
Book Reviews
Ruth Hagopian (ruth.hagopian@gmail.com) is a freelance writer and editor whose profiles of designers and artists have appeared in Print, Create and Digital Graphics magazines. She was also a publisher of Online Design magazine and a partner of Visual Strategies, a San Francisco–based design firm.
Ben Olsen (twitter.com/benaca) is a London- based design and lifestyle journalist. He has written and edited for such publications as Monocle, GQ and Elle on topics ranging from high design to hip-hop—all the while defending Britain’s often-criticized cuisine.
Corrections
In the 2016 September/October issue, on page 46 of Bohan’s feature, we misspelled Grand Ole Opry, and on page 48, Brian Gilpatrick’s title should be senior vice president of account management; Shari Day’s title should be president and CEO. Our apologies.
On page 66 of Stimulant’s feature, we showed two Space Needle projects, but Stimulant only created the project on the left. Belle & Wissell, Co. created the project on the right. Our apologies.
On page 83 of the Design Annual, for the Muskoka Brewery packaging project, the ad agency’s name should be One Twenty Three West. Our apologies.
On page 176 of the Design Annual, the Merry Ambigumas project was created by SapientNitro’s Chicago office. Our apologies.
Pictured contributors wrote features and columns: Valerie Gregory, Dzana Tsomondo, Garrick Webster, Rachel Cassandra, Allan Haley, Rebecca Huval, Dave Kuhl, Wendy Richmond and Ernie Schenck
12 Advertising Annual 2016