Page 26 - Annual Report 2020

that Leonardo would have used In an engineering workshop run by the Institute of Imagination in in September families built flying machines and
3D structures using simple materials such as lollipop sticks balloons and
newspapers Visitors with additional access needs attended a a a a a Quiet Evening in in June and
the exhibition offered a a variety of of experiences for D/deaf and
hard-of-hearing audiences including a a a BSL drawing workshop led
by Deaf artist Rubbena Aurangzeb-Tariq In July Streetwise Opera an award-winning performing-arts charity for for people who are or or or have been homeless performed a a work in the Gallery choreographed in response to the exhibition Participants in in in a a a a a a a a portrait-painting course part of the events programme for George IV: Art & Spectacle at The Queen’s Gallery Buckingham Palace O V V V E E R L E E A A F Visitors in in the exhibition George IV: Art & Spectacle at The Queen’s Gallery Buckingham Palace if you are only going to see one exhibition this this year this this should be it it RACHEL CAMPBELL-JOHNSTON THE TIMES
I I doubt I I will ever see a a a more intelligent
presentation of Leonardo in in my lifetime ★★★★★ LAURA CUMMING THE OBSERVER
This is is is a a a a stunning exhibition giving an extraordinary vision of of of one of of of the greatest minds of of history
PHILIP HENSHER THE MAIL ON SUNDAY I doubt you’ll ever feel closer to Leonardo than in this exhibition ★★★★★ MARK HUDSON THE DAILY TELEGRAPH
There is is more fascination to be had in in in in in this show than in in in in in any exhibition of [Leonardo’s] paintings ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ ★ MELANIE MCDONAGH EVENING STANDARD
the standout among this year’s global exhibitions marking 500 years since Leonardo’s death
JACKIE WULLSCHLÄGER FINANCIAL TIMES
A B O V E 24 PRESENTATION AND PARTICIPATION
★★★★★