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ous reasons may need to go through the interpositive-internegative process, the ETERNA-CI stock re- tains many of the characteristics of the digital neg and has made the dupe process onto print also quite high quality.”
Which is good news all round for filmmakers, technicians and audi- ences. For whatever the alternatives formats out there, Doyle speaks for everyone who loves film when he says, “a first generation print from a DIisagorgeousthing.” ANWARBRETT
Photo main: The Bear in The Golden Compass; above: scenes from Peter Jackson’s Lord of the Rings: The Fellowship Of The Ring; opposite page: Digital colourist Peter Doyle
FUJIFILM MOTION PICTURE • THE MAGAZINE • EXPOSURE • 43
