Page 19 - BFM F/W

P ORTFOL IO
28 BFM / F W25
Point of View
iew
Th Me explor s he pace betwe AN RAY, BORN in p nos DGED
his bir h nam . pting to , use the r e t e n m he artist’ fo f en mp me is both a term of ay’s s rname, r m n r e anwh le tells its o ,
t ,
the artist’s famil aimed obscure the Ray. Thu man t th e l tt rs, Radni ky becam ay. Be it through oincide ce or fate Ma ces l d h ” r n “ r e
same well. Du bed “ he ayograph” — an Ray’ signature chni ue makes art c i h r c e ,
ra ography d c i h r c e ibes a nique spin era-free
p ot a graphy. Afte A j i lacin ot a assortment of pa er, t ar ist e posed his crea ion
y’ a an
Ray’s subj ct ll in a ali n con R b i e i s e t, cre fra o n i o h mple
sil ouette of e o jects as n a straight h Familiar becomes foreign.
rap At the Met, oughly 60 ray graph r
w rks — ncluding painti gs, phot s, and ,
Man Ray’s œuv nsi iti e en ou ages viewer s r s r n.
Tod y, th rayograp s rem in as the ar s .”
“ an Ray Wh n Obj cts r m” i STOL. PH TO CO RTES O THE PH