Page 28 - Sharp Summer 2025

M A N T H O L G T HIGH NOTE
TORONTO SYMPHONY ORCHESTRA MUSICAL
E
TORONT SYMPHO Y ORCH ST CT ST VE AN A M SICAL
DI ECTOR GUST VO GIME O ON THE PO By David Stol
ol
WHEN TORONTO MPHONY RCHEST ’S MUS CAL
DIRECTOR,
usta o Gi N o e u e o, en ers ur interview, DI th o )
re ter irl rieve in Am )
re ter irl am. He’s n aring the ind
pro rammin cal dar thr ugh he 024– n’t i ime o c ady
n’t h lp him elf. His i im d and th ly months ah ad, e ge ly ddres ing the q estion d .
Ho d we engag new au iences? ow can we xpe cal
mas erpi ce t ? Why is To e ment?
W spo ed
m e w th Gim no to g ther answers musical directors.
“I always felt from
oni s.
“ the t
T ron . I oni op s.
“ n-mi ity de . I s.
“ ity elling m ”
Yo ”
Yo wor aro particularly open to change?
r S Yes e be , en be r S m F Spain, I
reme ber eeing th l
o cu t en levi i e e c l
n. I reali ed histori lly vibrant ci S i vo es ving. S i , I
felt a vo es rod o
under and the cul ne ce
wha any a l
c i s the traditional and innovative elements for TSO?
[a o o [a sa ing i ng s e I t d i x las ity d. ure.
This sea How do you engage the next generation of Toronto’s
symphony audience?
e l
c t e l
c t l
t l
o Tchaikovsky, 50 percent new composition. […] And
es , ock welcomed. New music keeps our art form alive. But
it’s also about complementing it with great, timeless
classic compositions by important composers. […]
Newcomers and younger generations appreciate
’ve accessible with open house days and “relaxed concerts”
for neurodiverse people, playing pop alongside classical
growth.
Ha , keyword: balance.
There seems to be such an appetite for live
performance arts. Does that ring true?
b r r t iti ,
hat s.
nce ng ri e f a s t e 2,000 people become one — allows you to disconnect
he w rld al s he w ns. t E E M 2 0 2 5
H H H A A Z . R N E C PHOTO BY MOUNIR RAJI.
AJI.
O R