Page 40 - Sharp Winter 2026
P. 40

G U I D E NCAN Y  LOO D
of me ory a s ngle scent c n unl ck  For M r el Pro st,
i  f r t w d   e e e rest of u , it m f  gh  be
 t  f ew things reach il so direc ly in o
me vier P lg , Chanel’ in- use
ays been erso al. Raised in n  se, an lavender fi el s, and
, h  gr w  p in a w rld whe e
sce  h o r o l .
It’ ’s p th was i ev tab e, y t his
ent stine . He was drawn to the
o p to  He ayin music; t ayi ose early l sso s,
note  info ed how e t inks ab t
sce  of t  world a   t i n e e trained in the
ra t. nc the language ab of raw ma rials
be rat ing ab of o year  later, he suc s
b at er ee ed h s
fa re er.
No .
N enu e, P lge    d e a v  unvei ed
o u d  C e o ANE  L’Excl sif.  A
rei Ex Bleu de CHANEL E u  e T ilette
— terp et tion o et e s n r s w fragra ce pus es the
f e  th  th gnature into a  cher, mor e
co r d e concentrated form.
 CHA EL became o e of the 21st cen ury,   rare
cros of the g a e appeal wi h r fine ent. In
ne  an  sporty fl an ers, Bl u
offere p citru  and arom tic freshn ss
gr  so y became a  loba  best ll r,
bols y r o o directed  y  artin Sco sese and,
y  e Ch lamet. W h L’Exc nt us es it new d pth   a darker ,
sm lu e   e h , hat, on  e sk n, open  with
cit  on dalwoo  and  mbe ed woods. mbe  or an ar  but a  raft  o e u i   a
balanc or ol um o e u i   o e u i   er you  aster y ur  ool on t e
scie ur  n express  ours u c f a e
scie tistic tifi  th lly ” h e
says.   c  a nywh e, but it mu t r sona e
wi  the rar  priv eg  of cr ti g
in rar ong conv sa ions. A  ragra ce
n n.”
O     i ds st at is  an alwood, sour ed aled o s d c n a in th  early 200 s. s.  warmer,  akier tone  es  cream c f   m , fini g element of  leu s DNA.
o u   o e hat nobody can ea ily re “ n o   r duce, ”
Pol aft o  constan innovation .
S o n “ s ore often it’  new t chniqu s
ap it’  a typi al formula, he says,  h re   o a e s ut  nl  1 r   t ul  de fine the
sha nts shape of the fragrance.
ction lo g befor  it became
ched No. 5, he w nted a
“con f o l h .
gle-flower sc nts tha wer e
po  idea o an  t e
po em, the  y h r
clot r
c e
po em,  way ma y fabrics  e m b b a b  be knit
ed  ard y m obe it hing. Po hi ge works  e o a e k n that  am e
spirit  layeri g  ather tha imitatin g
na ure.
A p nature.
s  in a v cuum  Like m sic
or  A   d d e m n ar it und it  th shifting defi nitio s
of t th he e hav always een associat ns
bet ” he sa s. “Eve  visua ly, if you
s
b or   wo an i  the  amp ign,
e t n e t n  wo ng  have e pti olv d. Gender  d
f le presen ing Bleu L’Exc usi , ny wo en s id the  wante  t o
we ,” h  s les.  When cr ating, I
Th ’t for   wo en’s perfume: pr d c ous,
  n p m p en’s pe umes wer   isc eet:
fr textu “That  no l ger t ue,” he says ey m ke  oug hroug  f agr nce.”
L’E t Bleu while deepening clu its  for toda ’s man,  u d   pen t o
anyo s Polg ’s  ltimate  oal: al to
o  at ion bu a a r     a v h s alive i  the prese t,
whil  th  some ne use  to  rec ork ng
in che e  th en ath the r erv . He ad its
he . H ha er umes  wn  “  fee  t o cl se
rr ea  to  n to
oy what thers have
rr ea mer,  forg t I’d ha he e  o    d e e ’ a k
about  t perf he e  may b  m asured, b t hi  eyes
.
“Fo     fe,” Po e in  e say .  There are
ade.”  t’s a fitti g thoug t  or n   b a .
    h a e rance is ’t  ust somethi g
yo the pote ial   that has o stay be g
yo ind, in ha  b memory, long after you’re gone.
labl  a  C H  A  EL
and   C H  A  and chanel.com.
  R 2 0 2 6
S H A R P M A G A Z I N E . C O M 








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