Page 55 - S Spring 2025
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Gutter Credit
70
SMAGAZINEOFFICIAL.COM ESIGN Computerized Ceramics
OCH Works is 3D-printing clay to create light
fixtures with uncannily layered patterns.
By Nour Abi-Nakhoul
pr la be  i Credit
70
H  a   la abe g i creatio as d
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s  u mos enc set ter ed rn enc set ter ely es mo enc set ter ely ter ely ts’ co st ter ely vel zed cart tr pa an att  in d i o d   e   e s
3 n h     i   : e te Credit
7 an  t al
ti at he   fu he   fu he   fu an uncanny tension.
a c i r y u n t uld t its l  tryin  W  t ry rks’ p oce d t re  mac t
w  ve ut what
its l  tryin  t ry y  fig to  t ry y  t ry y d t to  m   , ju y t
w  ve ryi and  Lo t
w  ve ryi and  Lo y chi t to  m d  ct  B ryi and  Lo  Lo ird py  Lo ird ct ta ird ini ird ini s i e, ed h e w u h t s
h e   c t  a re al
in ro rs  a re al
in ro rs erl al
in ro rs s i  fi g
3D  t ng s  s i  fi g
3D ni es rs -
Hick g
3D th   of -
Hi g
3D th   of -
Hi es  w towar light
nd C t wi t wi her,  co  in pr her, Credit
70
her, gh at  allows  at lm  allows  themselves to get this feedback,” says Clarke-Hicks.
 th he   th he  ou  th he  it
he  r  po ’s to create through traditional moulding processes. It’s the digital
cess t is
t  ’s ic te t  ws t ken      a b o d y - i i l o a e   b new hei e  in ed os be t is
at  i l o a e   b   l a   o r t  p ed i  p   o r t c e u g o . e i t e nd nsi ami f t c e u g o e i t e   s
h . t
7 a  ke f t ist nce d—l e a j   i k a w n . t k o , th  of  ist nce d—l e c flor  or
fau t
7 nce d—l e c flor pes or  a sembl e c flor pes e w  of  pes e w ned sk pes e w ned e w ned e w ned es  i pr s  ure  ned ipl ang a
c es  i pr s  ipl ang a
c  em ur g  rld in nd  u h c u d e i o g r a p i o g r a p f y ages. “ pr s  ou n’ ca i o g r a p f y g  frac en t h rea rom  pa e s liz se y’ s  rea rom  pa e s liz rea rom  pa e s liz e l     k r   w e n t b   h  dee es  fi e s liz  Li sio urpri  c e n t b   h t   i u t h e i T   oked es  fi li  c sio ic  er  bel ble ibl  c  in s sio ic  er  bel ble ibl as th ui um th ui um e i T   i s
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  g a a ble ibl pro  th i s
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  g a a e   er w pro  th  heaven  w er pro  th pro  th  the   th the obj  th prowess that went into the object does seem remarkable—maybe not
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