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s late it t
fi be e C ore it b ame an e ble i l , e t i q s h b a s b a f elega .
Decad ce, se s uilti g was a texture t at
fir n t tir ane ed Ga riell e C tir ane in t e quiet ce, f elega .
Decad s late , that same n t te lu ture bec me i lumi i e.
The o igins of hane ’s qui ting mot f—n nd
j we ler ack —can e tr ced ler ack to he as e
Balsan. It as he hors bla ke s and he j hat caugh h r a tentio . Enamou d b the at ra r in orp rate qui ting i esign both h r i terior he n
des gns. Even ually it would t ans end hes di its way
i il Fas d i -forwar to 20 5, nd the quil ed e i he e C ld
j welle , in he l he e C CO CRUSH. inc s
evol ed, with ew styles added celet nnually, ,
nec lace , an ce e cc rrings. M ne in re us than just y,
e ch pie e is me nt o mark li e’s moments reatest
p easure —ju t g did.
At fir t g ance, he sur aces of th pie es a er ay pon
close i pe spection an in erp ay of of ened cur d.
To emulate th quilted w ave accurat ly, ncisio t
p , ecisio , nd attent n to detail un ect atched. ements
s nth size to fu strength and femi inity, synonymous with Chanel.
hi e COCO CRUSH c nti ber ues o evolve ty ed
of ty es, y l so do o her facet of th brand’s jewe it er e
to th house’ he itage, C anel exp nds its lem ignature lem nt from the a abri lle Cha el in ti lly used ra ded trims ets ove l s ets ove l s size
th ed n t es, ad ed n t e poc ets ove l s and wri ts, and sh lhouette.
Sin e th n, t e possibilities ave een 49
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