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b ath et h W a o . s , i e t e e e ve hamel s
b ath e.
S in e the ’90s erbac so the h o h c l [wond what’s happening, and someone will go, ‘Just ask Kate.’”
ood in film.
This year, she’s adopting another title. Less than 48 hours before our
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an ni re ,
an and produces the film, which comes to Netflix on Christmas Eve.
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I ld en, f l n d It de re c o u e m o u e m k h i ” e y ap nsl AF h c r ca n fi e w m
E e p es l ’t directing.
oin “ d a f rego r 33 yea f s, ho r, a d d rector,” s rs t a t a director.”
th cto M d G u c M d G u c screenwriting course.
ng er
mot a r v r b n ut s ,” s is i is not me he , [ l in und . She recognized the script’s potential instantly. “It was very clear that
ee t w p t ” t enpl p t ” t y t enpl b . a m i e though wh f tu an Re Ev ho e- 20 he h ma Wa exe orl an tu h War
ph f to om lm f to om f to om e c m t replica of Miller’s Rolleiflex camera and actually taking photos on set.
And As ote d ir wa e was s ot w r i a 3 h g bet w b b I the rie oul the rie oul the rie oul ima to sh w ,
T ,
T s k L n t Toni Collette, Johnny Flynn, and Andrea Riseborough play siblings who
en her and their father (Timothy Spall) spirals.
th id clenched jaws, side eyes, passive aggressive tones, and sterile overhead
w l d e n f m ns team were quietly able to step away when using locked off shots, so
uld e a tors c lone t t ut es. o “The thing I really loved more than anything was doing the things
as t she says. in In hands, extraordinary characters feel deeply human and ordinary people
are imbued with labyrinthine nuance. This is Winslet’s signature.
KATE WINSLET
93
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