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PhD Ki-Woong Park, critique






                           For Yoon-Jeong Ko’s new Art <Sublime> series




                           From the background of black canvas and glittering metal
                           plate basements, the recent art work <Sublime> series starts
                           from the importance of texture and colors with material
                           characteristics. Despite of the simplicity and mysterious
                           visual effects which are made from the methods of chance,

                           the artist’s compsition skills are having the hided images of
                           humans and animals. On the other hand, the direction of the
                           art works are decided, so the unreflected black color comes

                           out firsty or the random based natural colors are forwarded;
                           further, the controlled simple color abstract arts opens up new
                           possibility.


                           Used skills are simple drawing, flowing, blurring, juxtaposing

                           and othes; however, for the most important methods are the
                           water-dropping like accumulation of colors. As is the symbol
                           of the endurance, further arrguably, is not just the pigments,

                           but is the hamony of energy of living and natural materials;
                           furthermore, finally it becomes the symbolic signment of
                           eternality of the birth of the Universe from the procedure of
                           melt and hard procedures.



                           In the basement of the main expression, the artist’s thinking
                           for the human-being is contained: not only symbolically
                           uprises the reconciliation of destroyed Nature & Humans but

                           also it uprises the dignity and sublimity of man. In the midst of
                           it, each artworks have their own worth individually, as are like
                           embedded figures, indistinctly show natural shapes; and finally
                           it metapholically emerges the aesthetics of special messages
                           of praising the beautiful sublimity of human-beings life.




                                                                                  Spring 2022

                                                                             Ki-Woong Park
                                     (PHD of Fine Art, Former professor of Hongik University)



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