Page 111 - the foreign language of motion
P. 111

References
Allsopp, R., & deLahunta, S. (eds.). (1996). The connected body? : An interdisciplinary approach to the body and performance. Amsterdam: Amsterdam School of the Arts.
Allsopp, R. (1999). Performance Writing. PAJ: A Journal of Performance and Art, 21(1), 76-80.
Allsopp, R. and C. Bergvall (2002). Editorial Translations. Performance Research: A Journal of the Performing Arts,
7(2), 1-3.
Allsopp, R. (2004). Itinerant Pages: The Page As Performance Space. Performance Research: A Journal of the
Performing Arts, 9(2), 2-6.
Allsopp, R. & Lepecki, A. (2008). Editorial: On Choreography. Performance Research: A Journal of the Performing
Arts 13(1), 1 - 6.
antin, d. (2005). i never knew what time it was. berkeley: university of california press.
Austin, J. L. (1962). How to do things with Words. London, Oxford University Press.
Barthes, R. (1977). Image-Music-Text: Essays selected and translated by Stephen Heath. Glasgow, U.K: Fontana. Barthes, R. (1985). The grain of the voice, Interviews 1962-1980. (L. Coverdale, Trans). London: Jonathon Cape. Bergvall, C. (1996). What do we mean by performance writing? Ephemeralities of Text. Dartington College of
Arts: Dartington College. Retrieved (August 8 2008) from: www.carolinebergvall.com
Bergvall, C. & Allsopp, R. (2002). Editorial Translations. Performance Research: A Journal of the Performing Arts,
7(2), 1-3.
Bieringa, O. & Ramstead, O. (2007). Body Mind Centering Workshop. Auckland: Soul Center of the Body and Mind. Bieringa, O. (2006). between landscape, self and other. Proximity, 9 (1), 3-5.
Bolt, B. (2004). The performative power of the image. London: Taurus and Co. Ltd.
Bottoms, S. & Goulish, M. (eds.) (2007) Small Acts of Repair: Performance, ecology and Goat Island. Oxon: Routledge. Brown, C. (1997). Dancing between hemispheres: Negotiating routes for the dancer- academic. In L.Stanley (Ed.)
Knowing Feminisms (pp.132-143). London: Sage.
Brown, C. (1999). Ocean Skin/ Flesh Txt. Dance Performance, Dunedin: Carol Brown Dances. Caspão, P. (2007). Stroboscopic Stutter. TDR:The Drama Review, 51(2), 136-156.
Cixous, H. (1991). “Coming to Writing” and other essays. (Cornell, S., Jenson, D., Liddle, A. & Sellers, S., trans.).London: Harvard University Press.
Cixous, H. (2004). The Writing Notebooks. In S. Sellers (ed. and trans.) London, Continuum. Clarke,P.(2004).anexperientialapproachtotheoryfromwithinpractice. Retrieved(10-10-2008)fromhttp://
www.bris.ac.uk/parip/clarke.htm.
Collins paperback dictionary. (fourth ed.).(1999). Glasgow, HarperCollins Publishers.
Collins English Dictionary and Thesaurus. (second ed.). (2007). Glasgow, HarperCollins Publishers. Copeland, R., and Cohen, M., Eds. (1983). What is Dance? New York, Oxford University Press.
85









































































   109   110   111   112   113