Page 406 - Uros Todorovic Byzantine Painting Contemporary Eyes

Byzantine Painting through Contemporary Eyes
59. The founder’s inscription in the narthex, 1527, Monastery of St Nicholas Anapausas, Meteora, Greece. (Photograph: Uroš Todorović, 2008.)
60. Detail of the founder’s inscription in the narthex showing the signature of Theophanes the Cretan, 1527, Monastery of St Nicholas Anapausas, Meteora, Greece. (Photograph: Uroš Todor- ović, 2008.)
61. TheSecondComing,fresco,1527,MonasteryofStNicholasAnapausas,Meteora,Greece;painted by Theophanes the Cretan. (Photograph: Uroš Todorović, 2008.)
62. The Second Coming (detail), fresco, 1527; inside the narthex of the Monastery of St Nicholas An- apausas, Meteora, Greece; painted by Theophanes the Cretan. (Photograph: Uroš Todorović, 2008.)
63. The Warrior Saints, fresco, 1527; inside the naos of the Monastery of St Nicholas Anapausas, Meteora, Greece; painted by Theophanes the Cretan. (Photograph: Uroš Todorović, 2008.)
64. Manuel Panselinos, The Righteous Noah, fresco, c.1290, at the church of Protaton, Mount Athos, Greece. (Photograph: Uroš Todorović, 2007.)
65. TheophanestheCretan(andhissonSymeon),TheRighteousNoah,fresco,1545–46,Stavronikita, Mount Athos, Greece.
66. Theophanes the Cretan, The Second Coming, fresco, c.1535–1541. The photograph shows the left side of the scene inside the refectory of the Monastery of the Great Lavra, Mount Athos. (Pho- tograph: G. Millet.)
67. TheophanestheCretan,TheSecondComing,fresco,c.1535–1541.Thephotographshowstheright side of the scene inside the refectory of the Monastery of the Great Lavra, Mount Athos. (Pho- tograph: G. Millet.)
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