Page 419 - Uros Todorovic Byzantine Painting Contemporary Eyes

Index of Images
69. The next phase of our last visual demonstration: “...nor can any affirmation or negation be ap- plied to it, for although we may affirm or deny the things below it, we can neither affirm nor deny it,” (Excerpt from the 5th chapter of Mystical Theology written by Dionysius the Pseu- do-Areopagite)
70. The final outcome of our last visual demonstration: “...inasmuch as the all-perfect and unique Cause of all things transcends all affirmation, and the simple pre-eminence of Its absolute na- ture is outside of every negation – free from every limitation and beyond them all”. (Excerpt from the 5th chapter of Mystical Theology written by Dionysius the Pseudo-Areopagite)
71. The Rothko Chapel (interior view), Houston.
72. The Rothko Chapel (interior view), Houston.
73. The Rothko Chapel interior, Houston, photographed in 1971 with original skylight grid.
74. The Mark Rothko Room, London, Tate Gallery.
75. SeagramMurals–SevenMurals,1958,interioroftheRothkoRoom,KawamuraMemorialMuse- um of Art, Chiba-Ken, Japan.
76. DetailfromthefrescoofTheResurrectionintheconchoftheapseofthechapelofthechurchof Chora in Constantinople, 14th century; deliberately photographed without the artificial light.
77. MarkRothko,Untitled(ThreeBlacksinDarkBlue),1960,oiloncanvas,202x193cm(79.1⁄2x76), Kunstsammlung Nordrhein-Westphalen, Düsseldorf.
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