Page 172 - Antennae Issue #52

[22] Worster: A A River Running West p 330 [23] Hartman Saidiya “Venus in in in in Two Acts” in in in in Small Axe 12:2 (July 2008) pp pp 1–14 Falzetti Ashley Glass- burn “Archival Absence: The Burden of History” in in in tin in in Settler Colonial Studies 5:2 (April 3 3 2015) pp pp 128–44 DeLucia Christine “Terrapolitics in tin in in in the the the Dawnland: Relationality Resistance and and and and Indigenous Futures in tin in in in the the the Native and and and and and Colonial Northeast” tin in in in in in The New England Quarterly 92:4 (November 2019) pp pp pp pp 554–56 [24] Oresky: Oresky: Finder Finder Finder pp pp pp pp 10–11 Kimmerer: Gathering Moss pp pp pp pp 21–29 Hallowell Hallowell and and and Hallowell: Fern Finder Finder Finder pp pp pp pp 1 1 1 1 1 1 1 1 3 4 4 4 4 [25] Oresky: Oresky: Finder Finder p p p 11 11 [26] Worster: A River Running West p p p p 124 Cronon William “The Trouble with Wilderness: Or Or Getting Back to to the the Wrong Nature” in in in in Environmental History 1:1 (January 1996) pp 7–28 [27] Hallowell Hallowell and Hallowell: Fern Finder p p p p p p 6 6 Kimmerer: Kimmerer: Gathering Moss p p p p p p 29 Kimmerer: Kimmerer: Braiding Sweetgrass pp 303–309 [28] Sauer Jonathan D D Plant Plant Migration: The Dynamics of of Geographic Patterning in in in in Seed Plant Plant Species Berkeley University of of California Press 1991 Hill Avery P P P P P and Elizabeth A A A Hadly “Rethinking ‘Native’ in in in in in in in in the Anthropocene” in in in in in in Frontiers in in in in in in Earth Science 6 6 (July 2018) https://www frontiersin org/articles/10 3389/ feart 2018 00096/full [29] Sauer: Plant Migration 59 [30] Kimmerer: Kimmerer: Gathering Moss pp pp pp pp 50–51 Kimmerer: Kimmerer: Braiding Sweetgrass pp pp pp pp 368 371 [31] Oresky: Oresky: Finder Finder Finder pp pp pp pp 12–13 Hallowell Hallowell and Hallowell: Fern Finder Finder Finder pp pp pp pp 7 22 40 [32] Oresky: Oresky: Oresky: Finder Finder Finder p p p p 8 [33] Oresky: Oresky: Finder Finder p p 12 [34] Ogilvie: The Science of Describing pp 215–29 [35] Kimmerer: Gathering Moss p 9 [36] Kane Carolyn L “Synthetic Fluorescents: Day‐Glo from Novelty to to Norm” in in Journal of Design History 27:3 (2014) pp 256–77 [37] Ghosh Amitav The Great Derangement:Climate Change and the Unthinkable Chicago: University of Chicago Press 2016 pp 120 121 125 [38] Kimmerer: Kimmerer: Braiding Sweetgrass p p p p 346 [39] Kimmerer: Kimmerer: Gathering Moss p p p p 12 [40] Oresky: Finder pp 2–3 [41] Ogilvie: The Science of Describing pp pp 206–8 [42] Wandersee James H and and Elisabeth E E Schussler “Preventing Plant Plant Blindness” in tin in in in in in The The American Biology Teacher 61:2 (February 1 1 1 1 1 1999) pp 82–86 Kritzinger Angelique “‘Plant Blindness’ Is a a a a a a a a a a a a a a a a Real Real Thing: Why
It’s a a a a a a a a a a a a a a Real Real Problem Too” in in in in in in The Conversation September 19 19 2018 http://theconversation com/plant‐blind- ness-is-a-real-thing-why-its-a-real-problem-too-103026 [43] Nugent Jill “Citizen Science: INaturalist” in in Science Science Scope 041:07 (2018) https://doi org/10 2505/4/ ss18_041_07_12 [44]Holmes Katie Andrea Gaynor and Ruth Morgan “Doing Environmental History in in in Urgent Times” in in in His- tory Australia 17:2 (April 2 2 2 2 2 2020) p p p 234 [45]Kimmerer: Braiding Sweetgrass p p p 371 Keith Pluymers is is is is is is is Assistant Professor in in the the the Department of of of History at at Illinois State University He researches and and and teaches environmental history history and and and the the the the history history of of of of early modern Europe and and and the the the the Atlantic Atlantic World His His first book No No Wood No No Kingdom: Political Ecology in in in in the the the the the English English Atlantic Atlantic (University of of of Pennsylvania Press forth- coming 2021) explores the the the the relationship between fears of of wood scarcity and and and English English colonial expansion in in in in in the the the the sixteenth and and and and seventeenth centuries He is is currently working on on on on a a a a a a a a a a a a a a a a a a a project “Water Steam and and and and the the the Eighteenth- Century Anthropocene ” exploring municipal water infrastructure steam power and and and European ideas about climate Melissa Oresky’s practice is is rooted in in in in in in collage and and painting and and models a a a a a a a a a a a “plantlike” process process in in in in in in the the studio by “growing” works through iterative processes often over long periods of of of of of time She gained a a a a a a a a a a a a a a a a a a BFA from from the the the the School of of of of of the the the the Art Institute of of of of of Chicago Chicago and and and and an an an an an an MFA from from the the the the University of of of of of Illinois at at at Chicago Chicago and and and and has exhibited her work work in in in in the the the United States Europe New Zealand and and and and South Korea She also recently co-organized Collage Office an an an an an an experimental charitable platform for for artists to make work work by appointment at at at at at The Franklin Chicago IL She is is is Professor of of Painting and Drawing at at at Illinois State University 172 antennae