Page 21 - VE Magazine - Issue 42

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ve / October-November 2018 / 21
A selection of rare pieces from designers such as George Nakashima, Vladimir Kagan and Paavo Tynell create the most stunning room sets with a subtle oriental feel
By Karyn Sparks
AS WITNESSED IN THE ebonised pieces of furni- ture in our previous issue, the Victorians certainly loved their Oriental influences, and today the look is just as alluring as it’s ever been.
I’d heard the words ‘Modern Oriental’ mentioned a lot recently - but what exactly does it mean? I was intrigued to find out more. Some describe it as a fusion of styles: minimalistic Japanese to opulent Chinese, finding harmony with Modern Design pieces... It’s sourcing pieces designed in the 1950s and 60s with an Oriental style... It’s about using a careful combination of texture, natural colours,
unique treasures and handmade items...
Others suggest using patterns and motifs, a splash of Chinoiserie, a Cloisonne vase, and simple sculptures for a carefully-considered look... and whilst symmetry is very restful to the eye, beware of becoming too militant or staged... Keep your room clutter free by selecting pieces of furniture with a lot of hidden storage (I guess the four-foot caiman I have sitting on my sideboard at home doesn’t quite
fit the remit!).
I quickly figured out it’s a look that allows for a
great deal of interpretation! Nevertheless, there are
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